6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Mrs. Topper's friend Mrs. Parkhurst has convinced Mrs. Topper to file for a divorce from Cosmo, due to the strange circumstances of his trip with ghost Marion Kirby. Marion comes back from heaven's door to help Cosmo again, this time only with dog Mr. Atlas. Due to the strange behavior of Cosmo, the judge refuses to divorce them, so Mrs. Parkhurst takes Mrs. Topper on a trip to France, where she tries to arrange the final reasons for the divorce, with the help of a gold-digging French baron. Marion takes Cosmo to the same hotel, to bring them back together and to get her own final ticket to heaven, but the whole thing turns out to be not so easy...
Starring: Constance Bennett, Roland Young, Billie Burke, Alan Mowbray, Verree TeasdaleComedy | Insignificant |
Fantasy | Insignificant |
Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.41:1
Original aspect ratio: 1.37:1
English: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 0.5 | |
Overall | 3.5 |
When did Cary Grant become a bonafide superstar? For those raised on his ultra suave relatively latter day performances in films like North by Northwest or Charade, it may be hard to think of Grant as being anything other than a superstar, but like many an iconic actor, he had at least a few years as a journeyman before he started to be what is now referred to as an A- lister. Grant made his first big screen appearance in 1932 in a largely forgotten romantic comedy escapade called This Is the Night, a film which coincidentally co-starred his future Topper foil Roland Young, and one which didn’t even give Grant much of a font size in terms of its cast listing on various marketing key art pieces. Grant continued to rack up a slew of notable credits, including Blonde Venus with Marlene Dietrich and perhaps most (in?)famously She Done Him Wrong with Mae West, but it’s probably salient to note that rarely if ever was Grant afforded above the title “true star” status, and frequently saw his billing at least partially down the roster of performers. But a case could probably logically be made that a rather short burst of activity between 1937 and 1938 really cemented Grant’s reputation as one of the major leading men of his era, with a series of comedies offering Grant a number of still well remembered roles in The Awful Truth, Bringing Up Baby and Holiday. That series of successful comedies arguably began with 1937’s Topper, an early example of Grant’s flair for both witty banter and occasionally raucous physical comedy. (The one outlier in Grant’s 1937-38 output is a personal favorite of mine — 1937’s The Toast of New York is an admittedly kind of turgid melodrama documenting the so-called “Robber Barons” of the 19th century American economy, and features Grant as the romantic interest for Frances Farmer.) It's perhaps notable that even in 1937 Grant was consigned to second billing in Topper, behind Constance Bennett, though it's probably even more notable that he gets a special "thanks" credit for "allowing" some scenes of him from the first Topper film to be resourced for this sequel, which appeared at the tail end of 1938 when Grant's reputation was achieving considerable luster.
Topper Takes a Trip is presented on Blu-ray courtesy of MVD Visual and VCI with an AVC encoded 1080p transfer in 1.41:1. With the exception of a rather minimal grain field, this is a nice looking transfer from VCI, one which exhibits none of the sometimes strange encoding anomalies home theater buffs have seen with this label, and one which presents elements in surprisingly good condition (a number of small flecks and nicks remain, but they're minor). Contrast is decent, though I personally wouldn't have minded a bit deeper blacks. The one issue some may have with the look of this transfer is the relative absence of grain, especially since the film is so chock full of old style opticals that include long held dissolves (kind of literally, considering what happens to the "ectoplasmic" spirits). Some of the most noticeable grain in fact is due to "baked in" elements like some rear projection work. While there is grain visible, it's rather light almost all of the time and it never spikes as might be expected in any of the special effects sequences.
Topper Takes a Trip features a somewhat boxy sounding LPCM 2.0 mono track that suffices perfectly well for the film's rather limited sound design. The score can sound a bit brash when exploiting higher registers of some instruments, but dialogue sounds find. I did notice an almost subliminally small amount of loose sync, especially in some of the early divorce court scenes.
Topper Takes a Trip is often surprisingly funny, with Roland Young repeating the role that brought him his only Academy Award nomination in a long and notable career. Constance Bennett is arch but alluring as Marion attempts to set everything right. But it's probably Billie Burke who will be the most appealing to many viewers, with her patented take on the frankly ditzy elderly lady type she was so adept at playing. This is one of the nicer looking releases we've had from VCI, though some might wish for a more pronounced and natural looking grain field. With caveats noted, Recommended.
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