7 | / 10 |
Users | 4.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
For Cosmo and Clara Topper life revolves around being proper and up-standing people in society. However, when the ghosts of fun-loving George and Marion Kerby invade Cosmos perfectly ordered life, mayhem ensues. The Kerbys want to make over Topper so he will be more care free, but can they do it without ruining his life?
Starring: Cary Grant, Constance Bennett, Roland Young, Billie Burke, Alan MowbrayRomance | 100% |
Comedy | Insignificant |
Fantasy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.42:1
Original aspect ratio: 1.37:1
English: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 4.0 | |
Video | 2.0 | |
Audio | 3.0 | |
Extras | 0.5 | |
Overall | 3.0 |
It may not have risen to the generally accepted ranks of a true “franchise”, but 1937’s Topper was successful enough that it gave birth to two film sequels, Topper Takes a Trip and Topper Returns, as well as a television sitcom inventively titled Topper which ran for two seasons in the mid-fifties (and which will forever be immortalized in the world of musical theater trivia because some guy named Stephen Sondheim co-wrote several episodes). In many, and perhaps inarguably most, ways, the first Topper was the best of them all, benefiting from not just the bantering interplay between stars Cary Grant and Constance Bennett, and the inspired buffoonery of Roland Young and Billie Burke, but also probably undeniably from the very "newness" of the premise, something that obviously may have suffered from the law of diminishing returns as the series went on. Topper details the adventures of two sanguine upper crust folks, George (Cary Grant) and Marion Kerby (Constance Bennett) whose disregard for the little things in life like driving relatively sanely lead to their premature deaths, and subsequent transformation into ghosts. They end up haunting an uptight guy named Cosmo Topper (Roland Young), in the hopes that helping him might grant them a "golden ticket" through those vaunted Pearly Gates.
Topper is presented on Blu-ray courtesy of MVD Visual and VCI with an AVC encoded 1080p transfer in 1.42:1. VCI's track record with its high definition output has been somewhat spotty, though I personally scored both Topper Takes a Trip and Topper Returns at least a bit higher than this. Unfortunately, this older release from VCI sports some of the encoding anomalies that have afflicted other releases, with kind of weird swirling patterns and near pixellation at times, with an uneven accounting of the grain field (look at screenshots 13 and 14 in full resolution for some examples, though several other screenshots also exhibit them, as around Roland Young's eyes in screenshot 2). What's a bit odd about grain in this presentation is how it almost cycles through various thicknesses; at times, things look filtered, almost video like, and then slowly but surely grain will reappear until it can become rather rough looking. It's almost as if some weird alogrithm was utilized that "managed" grain over select periods of time, and then (to borrow a phrase from a different activity) "rinsed and repeated". There are recurrent if minor signs of age related wear and tear and some noticeable fluctuations in brightness, though contrast is generally good and in shots not featuring opticals detail levels can be at least decent.
Topper features a decent sounding LPCM 2.0 mono mix. Things are rather boxy throughout the presentation, and occasionally amplitude varies. There is some hiss evident. Dialogue makes it through the gauntlet without any major problems, though music can sound a bit on the tinny side at times. Trivia fans may recognize iconic composer Hoagy Carmichael at the piano (which looks amazingly like the "mini" keyboard played by Sam in Casablanca) in one scene (see screenshot 3).
Topper is an outstanding entertainment and boasts a rather interesting premise for a perceived screwball comedy. Unfortunately the technical merits of this release, notably video, could stand some improvement. My advice to fans of the film is to carefully parse the screenshots accompanying this review to at least get some idea of what this looks like.
1934
Warner Archive Collection
1955
Warner Archive Collection
1932
Warner Archive Collection
1934
1972
Warner Archive Collection
1941
1938
Warner Archive Collection
1958
1931
1941
1965
Warner Archive Collection
1936
1971
1941
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1975
1987
1938
80th Anniversary Edition
1936
1956