7.8 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
An impressionistic portrait of the 1964 Tokyo Summer Olympics, which pays as much attention to the crowds and workers as it does to the actual competitive events. Highlights include an epic pole-vaulting match between West Germany and America, and the final marathon race through Tokyo's streets.
Director: Kon IchikawaForeign | 100% |
Documentary | 68% |
Sport | 53% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.35:1
Japanese: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.5 | |
Overall | 4.5 |
Kon Ichikawa's "Tokyo Olympiad" (1965) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include new introduction by Peter Cowie; three archival interviews with the director; additional scenes; newly produced documentary program; and more. The release also arrives with an illustrated leaflet featuring an essay by critic James Quandt as well as technical credits. In Japanese, with optional English subtitles for the main feature. Region-A "locked".
Presented in an aspect ratio of 2.40:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Tokyo Olympiad arrives on Blu-ray courtesy of Criterion.
The following text appears inside the leaflet that is provided with this Blu-ray release:
"This new digital transfer was created in 4K resolution on a Scanity film scanner from the following materials: the 35mm original camera negative of Sensatiobn of the Century (producer Taguchi Suketaro, supervisor Nobumasa Kawamoto); the 35mm original camera negatives of four sports-compilation films made under the aegis of the Tokyo Olympic Film Association; and a 35mm interpositive and internegative of Tokyo Olympiad. The overall management of the 4K restoration was taken on by Warner Bros. Motion Picture Imaging, with VFX Hollywood handling dirt removal and damage using DIAMANT-Film software. The surviving soundtrack was restored and remastered from the 35mm optical soundtrack negative by Audio Mechanics in Burbank, California.
Restoration supervisors: Adrian Wood, Robert Jaquier.
Digital scanning: Imagica, Tokyo.
Colorist: Jan Yarborough/Warner Bros. Motion Picture Imaging, Burbank, CA.
Content analysis and reconfirm: The Edit Store, London."
The release is sourced from the same beautiful 4K master that was first introduced in the 100 Years of Olympic Films: 1912-2012 box set in 2017. Naturally, the quality of the technical presentation here is equally impressive. Obviously, because of the nature of the content that is used some small fluctuations in terms of density, delineation, and clarity exist. However, overall the film actually boasts some absolutely breathtaking visuals whose depth, delineation, and fluidity are as good as anything you would see in a conventional film where. (While it functions primarily as a documentary, Tokyo Olympiad isn't a traditional documentary project either). Additionally, a direct comparison with this DVD release of the film immediately reveals a vastly superior color scheme, with dramatically healthier primaries and expanded nuances. I personally think that the difference is so big that the 4K restoration actually ensures a completely new viewing experience. Image stability is excellent. The entire film looks spotless as well. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: Japanese LPCM 1.0 (mixed with other languages). Optional English subtitles are provided for the main feature. When turned on, they appear inside the image frame.
The original soundtrack of the film incorporates a lot of organic sounds and noises, which means that there are native fluctuations in terms clarity, dynamic stability, and even balance. But they are very small, and because they are part of the overall ambience of the events that are chronicled in the film, they actually sound entirely natural. (There are no abrupt spikes or drops in dynamic activity that feel out of sync, so the audio mix is in fact really good). Kon Ichikawa also used beautiful symphonic music which sounds terrific and adds a completely different quality to the visuals as well.
There is a substantial amount of new and archival bonus features on this upcoming release of Kon Ichikawa's Tokyo Olympiad that fans of the film would want to see. I spent two days with them and in my opinion a few are actually essential viewing material. (The restored footage from the Czechoslovakia vs. Hungary soccer clash, for instance, is outstanding, and there is a lot more). The release is sourced from the beautiful 4K restoration of the film that was introduced on Blu-ray a couple of years ago, so the technical presentation is predictably excellent. HIGHLY RECOMMENDED.
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