6.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A heretic priest plots to use a teenage nun in a depraved sexual pact with the forces of darkness.
Starring: Richard Widmark, Christopher Lee, Honor Blackman, Denholm Elliott, Michael GoodliffeHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 3.0 | |
Extras | 4.5 | |
Overall | 4.0 |
Satan was the new black in the 1970s, and Hammer Films wasn’t about to let such a trend get away from them without a distinct cinematic offering. “To the Devil a Daughter” is an adaptation of a Dennis Wheatley novel, pitting a writer against forces of evil who want to have their way with a teenage girl. While Hammer is trying to compete with “The Exorcist” and its numerous rip-offs, they also try to play up their particular brand of British horror, with director Peter Sykes in charge of restrained emotions and eerie encounters, bringing in studio legend Christopher Lee to make some macabre magic for the then-ailing company. Unfortunately, there’s not enough shock value in “To the Devil a Daughter,” which definitely has select moments of superb illness and tension, but also comes across incomplete, watching as a complicated story involving rebirth, protection, sacrifice, and temptation slowly marches toward a rushed ending that isn’t the least bit satisfying. The greatest trick the Devil even pulled was convincing Hammer to enter production without a finished screenplay.
The AVC encoded image (1.66:1 aspect ratio) presentation appears to be a very recent scan of "To the Devil a Daughter" from Studio Canal. The viewing experience is quite appealing, with a freshness to enjoy, especially with color, which makes an immediate impression with the opening shot of sunlight coming through stained glass. Primaries are protected, with deep reds and blues, and the general naturalistic appearance of the locations is preserved, offering lush greenery and blue skies. Skintones are natural. Detail is inviting, securing textured facial surfaces, which pick out elements of age, from Widmark's wrinkles to Kinski's pimples. Costuming is fibrous, doing very well with woolen suits and ceremonial robes. Locations are dimensional. Grain is fine and film-like. Delineation is satisfactory. Source is in excellent condition.
The 2.0 DTS-HD MA sound mix does struggle with technical issues, with the first half of the feature plagued by intermittent dips in clarity, with brief stretches of the effort (starting around the 7:00 mark) going completely muddy. Such moments lose urban atmospherics and, later, acts of violence, but it's not something that carries throughout the listening event, though it does distract. The rest of the track is stronger, provided reasonably confident dialogue exchanges from a range of performances. Scoring is also adequately defined, with strange instrumentation adding to the suspense needs of the film. Sound effects are satisfactory.
"To the Devil a Daughter" delivers a certain amount of strangeness with intermittent intensity, primarily found during outdoor pursuits when John struggles to snap Catherine out of her possessions. There's a wonderful cast as well, with Widmark a commanding lead, while Lee seems to enjoying himself for a change, playing Michael as a man who relishes the pain he brings to others. Elliott is also a tremendous asset to the endeavor, making panic and paranoia feel authentic. It's the second half of the feature where storytelling trouble arrives, as Sykes slowly loses control of the narrative, making the movie more about extreme sights than snowballing danger, while the introduction of a demonic puppet to represent slimy evil is all kinds of wrong, bringing unintentional laughs to a production that can't recover from such a conceptual mistake. And there's the ending, or lack of one, with the tale merely stopping instead of climaxing, ruining all the hard work to reach a confrontation between old men claiming Catherine's body. At least "To the Devil a Daughter" opens with some authority, giving off traditional Hammer Film fumes before it falls apart.
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