7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
Unemployed engineer Mark Thackeray reluctantly takes a teaching job in a working-class London high school. His unruly students assume they'll easily gain the upper hand, but Thackeray has other ideas. Eventually he wins the students over, changing their lives -- and his -- in the process.
Starring: Sidney Poitier, Christian Roberts (I), Judy Geeson, Suzy Kendall, LuluDrama | 100% |
Teen | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
French: Dolby Digital 2.0 Mono (192 kbps)
German: Dolby Digital 2.0 Mono
Italian: Dolby Digital 2.0 Mono
Spanish: Dolby Digital 2.0 Mono (192 kbps)
Spanish: Dolby Digital 2.0 Mono (192 kbps)
English, English SDH, French, German, Italian, Portuguese, Spanish, Korean, Thai
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 4.5 |
Sony has released the classic 1967 film 'To Sir, With Love,' starring Sidney Poitier, directed by James Clavell, to the UHD format. At time of writing, this UHD disc (as well as the companion and included 4K master Blu-ray) is exclusive to the third volume of the prestigious 'Columbia Classics Collection' boxed set, where five other films are included. The film was previously released to Blu-ray by Twilight Time in 2015, a disc which is now out of print. New UHD specifications include 2160p/Dolby Vision video and Dolby Atmos audio. This set includes a blend of extras from the Twilight Time disc and other supplements that are new to Blu-ray. The UHD notably includes the TV pilot based on the film in 1080p. Also included for the Blu-ray is new 1080p video sourced from the 4K master and mono lossless audio.
The included screenshots are sourced from the 4K mastered Blu-ray disc.
Sony's 2160p/Dolby Vision UHD release of To Sir, With Love looks fantastic. The presentation is first-rate, holding to the film's natural cinematic
characteristics, including a very healthy grain structure that is neither overly aggressive nor obviously underplayed. The movie looks fresh out of the
camera and editing room. The restoration has left nothing to the imagination, and the picture is not only attractively grainy but also free of any source
or encode defects. There is a judder effect during a long pan at the 48-minute mark, which is more obvious on the UHD compared to the Blu-ray. The
picture's sharpness and clarity are a step above the Blu-ray, which is mastered from the same source, and shows all of the expected gains to basic
improvements across the board. Facial features are more intimately realized and enjoy boosted clarity and lifelike presence on the screen. Clothes are
dynamically detailed and capture the finest stitching and fabric elements that the Blu-ray leaves unexplored or underexplored. Even makeup and
eyelashes and individual hairs present with incredible razor precision and clarity.
The Dolby Vision color grading offers a more dynamic color presentation compared to the Blu-ray. Primaries are bolder, secondaries are sturdy and
lifelike, and even the warm wooden desks and other elements around the classroom find a new elegant appeal and realistic tonal engagement. Whites
are dazzling,
black levels and shadow details are improved over the Blu-ray, and skin tones look just right. Colors through the whole range here are very expressive,
which is vital, particularly considering the wide range of colorful clothes the students wear throughout the film. Red busses seen during a couple of
shots and scenes are also dynamically brilliant with more pop and punch than the Blu-ray can offer. This is a stunning presentation from Sony.
Sony's Dolby Atmos soundtrack is not necessarily a major step forward from the Blu-ray's DTS-HD Master Audio 5.1 lossless soundtrack, but there are some improvements that make this the clear superior of the two. The track offers some basic feelings for depth and immersion during exterior scenes (listen around 48:45). This is perhaps where the track differentiates itself the most, with a fuller sense of place and atmosphere. Certainly, there are no major sound elements to push the material harder or much further than what is contained in the original audio mix, but the Atmos track does manage to squeeze just a little more of a natural sense of placement than the 5.1 track can offer. Music is a bit livelier with greater stage impact and separation, though not dramatically so. The overheads and surround backs don't offer anything truly discrete, but they do help with that aforementioned immersion. Bass is not much of a factor, either, though the track never sounds thin. Dialogue drives the film, and as with the 5.1 track, it is here under the Atmos configuration well prioritized, center focused, and clear for the duration.
This UHD release of To Sir, With Love includes extras on both the UHD and Blu-ray discs. See below for what's included. Material that is
newly produced, or new to Blu-ray, is marked as such and briefly reviewed. Reviews for legacy content can be found by clicking here. As it ships in the above-linked "Columbia Classics"
boxed set, a slipcover and a digital copy code are included.
To Sir, With Love is one of the great classroom films of all time, and it has certainly received a proper treatment on the UHD format. The UHD's 2160p/Dolby Vision presentation looks spectacular, and the Dolby Atmos audio is very good as well. An incredible assortment of bonus features is also included. As it ships in the above-linked third volume of the Columbia Classics Collection, To Sir, With Love comes very highly recommended.
1996
Pilot / In SD
1980
1979
1932
Pilot
1974
1955
2016
2013
2008
1956
Entre les murs
2008
1947
2016
1992
2018
2016
1989
1963
Druk
2020
2016