6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
On its maiden voyage in April 1912, the supposedly unsinkable RMS Titanic hits an iceberg in the Atlantic Ocean.
Starring: Sybille Schmitz, Otto Wernicke, Claude Farell, Hans Nielsen, Kirsten HeibergForeign | Insignificant |
Drama | Insignificant |
History | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.36:1
Original aspect ratio: 1.37:1
German: LPCM 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 2.5 | |
Overall | 3.5 |
It’s a story told time and again, but only once by the Nazis. 1943’s “Titanic” is a German production personally overseen by Joseph Goebbels, the Nazi Minister of Propaganda, who sought to undermine faith in the British Empire by detailing one of the most famous disasters in world history, only here the focus is not on loss of life, but English greed. More of a curiosity than a true extravaganza, “Titanic” doesn’t come close to other dramatic interpretations of the incident, but it has a specific point of view that’s perhaps interesting for students of history and German cinema.
The AVC encoded image (1.36:1 aspect ratio) presentation offers a 2004 restoration for "Titanic," which lacks a certain rejuvenated definition a more modern makeover could provide. It's not a noisy viewing experience, but it looks slightly digitized at times, piecing together different sources into one filmic flow. Changes in quality are spotted, an understandable reality with an obscure title like this. Clarity has its moments, providing compelling detail to best appreciate sets and ship interiors, and facial particulars carry texture. Delineation is adequate, with some mild brightening giving evening panic a milkier quality. Scratches remain, along with speckling.
The 2.0 LPCM track also wrestles with age-related issues, offering sharper highs that are often hard on the ears, requiring some volume riding when chaos breaks out on the sinking ship. Scoring is unremarkable but present, more functional than dramatic, without much definition and some warbling issues. Sound effects are basic. Hiss and pops are detected.
"Titanic" goes through the motions to reach its final message of condemnation, working to make the British seem cowardly and selfish, killing innocents without a second thought. This nationalist approach keeps "Titanic" passably bizarre, and filmmaking technique is open for inspection, but the movie itself is a drag, failing to conjure the requisite horror of a famous catastrophe.
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