6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
In order to release his kidnapped sister, sports car mechanic Jackie Chan has to beat a super-criminal street racer.
Starring: Jackie Chan, Anita Yuen, Michael Wong (I), Wai-Kwong Lo, Corey Yuen| Foreign | Uncertain |
| Martial arts | Uncertain |
| Action | Uncertain |
| Comedy | Uncertain |
| Drama | Uncertain |
| Thriller | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Cantonese: LPCM 2.0
English: LPCM 2.0
English: DTS-HD Master Audio 5.1
English, English SDH
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 0.0 | |
| Audio | 4.0 | |
| Extras | 5.0 | |
| Overall | 3.5 |
Note: This film is available in 4K UHD as part of Arrow Videos's Jackie Chan's Breakout Hits! 4K collection.
Arrow's set of Jackie Chan movies spans the years 1994 to 1998, when Chan seemed to burst (in more than one way) out of virtually nowhere, at
least to non-Asian audiences, to become a global superstar, an achievement that perhaps was officially accomplished per some verbiage on the
slipcover of this release when Rush Hour (not included in this
collection) became such an international sensation. Most of the films in this set have had prior 1080 releases (links to reviews will be
provided in the appropriate reviews of the 4K editions), evidence in and of itself of how enduringly popular this particular era of Chan outings has
been. Arrow's set includes a number of alternate cuts (some of the films in this set have so many alternate cuts the different versions are spread
across two discs) and new 4K restorations culled from original negatives, along with their typically bountiful
supply of on disc supplements. The set comes with Arrow's also typically handsome packaging which in this case includes a much heftier than average
collector's booklet and a veritable host of non disc swag.


Note: This release does not include a 1080 Blu-ray, so these screenshots are taken directly from the 4K UHD disc and downscaled to 1080
and SDR. Color space in particular is therefore not accurate. Since this release does not include a 1080 disc, the 2K video score above has
been intentionally left blank.
Thunderbolt is presented in 4K UHD with an HEVC / H.265 encoded 2160p transfer in 2.39:1. Arrow's War and Peace size insert
booklet (that's a joke,
but maybe not by much) lumps all of the films in this set together on two pages offering the following information about the presentations:
Drunken Master II, Rumble in the Bronx, Thunderbolt, Police Story 4: First Strike, Mr. Nice Guy and Who Am I? have been exclusively restored for this collection by Arrow Films. The original feature film camera negative elements have been used as the primary source materials for this work, but extensive research was also undertaken to locate and identify additional materials to restore original logos, credits, cut scenes and reconstruct alternate release versions. The films are presented in 4K resolution in HDR10 and Dolby Vision.As one of the films in this set which doesn't appear to have had a prior Region A release in 1080, there's obviously no baseline to compare this to, but this is another great looking presentation one way or the other. Clarity is typically exceptional throughout, although there's a clearly visible but tightly resolved grain structure throughout. Fine detail is also very expressive in scenes the ultimately horrifying vignette out on the race flats, where things like sand or even dust are very well articulated. What really caught my eye over and over again, though, was the variety of tones in reds in particular. Some of the opening assembly footage during the credits and then later in the scenes that officially introduce Chan can have a slightly orange tint, but things like red sports car(s) are incredibly vivid in what I'd almost call fire engine red. A nighttime racing scene may not have an abundance of shadow detail, at least in the backgrounds, but there is still a really appealingly observable gradation of blacks and grays. A lot of the latter part of the film plays out in either outdoor daytime or brightly lit environments, which helps to elevate both palette and detail levels.
The Hong Kong Cut of Drunken Master II is presented in its original 2.39:1 aspect ratio with Cantonese mono (both the original theatrical mix and an alternate home video mix), Mandarin mono and English (export dub) mono audio. The International Cut is presented in its original 2.39:1 aspect ratio with English (export dub) mono audio. The US Cut, re-titled The Legend of Drunken Master is presented in its original 2.39:1 aspect ratio with English 5.1 audio.
The Hong Kong Cut of Rumble in the Bronx is presented in its original 2.39:1 aspect ratio with Cantonese stereo and English mono audio. The International Cut version is presented in its original 2.39:1 aspect ratio with stereo and 5.1 English audio, and the burnt-in subtitles are presented as per the original theatrical release.
Thunderbolt is presented in its original 2.39:1 aspect ratio with Cantonese stereo, English (export dub) stereo and English (New Line dub) 5.1 audio. The Japanese Cut is presented in its original 2.39:1 aspect ratio with Cantonese stereo audio.
Police Story 4: First Strike is presented in its original 2.39:1 aspect ratio with Cantonese stereo and Mandarin stereo audio. The International Cut, re-titled Jackie Chan's First Strike, is presented in its original 2.39:1 aspect ratio with stereo and 5.1 English audio.
All three versions of Mr. Nice Guy (Japanese, Hong Kong and International) are presented in their original 2.39:1 aspect ratio with stereo and 5.1 English audio.
Both versions of Who Am I? (Hong Kong and International) are presented in their original 2.39:1 aspect ratio with English stereo and 5.1 audio. For the Hong Kong Cut, alternate English 5.1 audio with Cantonese-dubbed sections is also included.
The original 35mm camera negatives and additional film elements were scanned at 4K/16 bit resolution at Warner Bros / Motion Picture Imaging.
The films were restored in 4K resolution and color-graded at Duplitech.
Audio restoration was completed by Þorsteinn Gíslason.
All materials sourced for this new master were made available by Warner Bros.

Thunderbolt features two LPCM 2.0 tracks, one in Cantonese and English, and another Export dub in English. The New Line dub is presented in English in DTS-HD Master Audio 5.1, and may be the preferable track for many who prefer the surround activity it offers. There's definitely still a front heavy tendency in the 5.1 track, but the racing scenes can at least intermittently offer engagement of the side and rear channels. It's probably in the more forceful low end and actual LFE bursts that the 5.1 track makes itself best known. The stereo English dub sounds just a bit brighter on the high end and may be marginally louder. Dialogue is rendered cleanly throughout. Optional English subtitles are available.

- Drunken Master II (HD; 1:51)
- Rumble in the Bronx (HD; 1:28)
- Thunderbolt (HD; 1:26)
- Police Story 4: First Strike (HD; 2:04)
- Mr> Nice Guy (HD; 1:49)
- Who Am I? (HD; 2:13)

Thunderbolt is kind of undeniably goofy, and it's probably second tier Chan, but that doesn't mean it doesn't have some spectacular action scenes and in this case some fun racing footage. Technical merits are first rate and fans should enjoy having the slightly altered Japanese cut in 1080 as one of some appealing supplements. With caveats noted, Recommended.