| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Thunderbirds Are Go: Zero-X, a manned exploration mission crashes during lift-off on its maiden flight. Two years later an investigative committee finally concludes sabotage, and decides to call on the services of International Rescue to oversee security at the impending second launch. The second Zero-X successfully reaches its destination, but encounters unexpected hazards, ultimately leading to another call for assistance on its return to Earth. International Rescue respond, and once again Thunderbirds are GO! Thunderbird 6: The International Rescue team is faced with one of its toughest challenges yet, as the revolutionary lighter-than-air craft Skyship One is hijacked while on her maiden voyage around the world. Against backdrops including the Statue of Liberty and the Sphinx, Lady Penelope, Parker, Alan and Tin-Tin fight the hijackers from on-board, while the rest of the team tries to stop the airship crashing into a missile silo.
| Sci-Fi | 100% |
| Adventure | Insignificant |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
See individual releases
None
50GB Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.0 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 4.0 |
Have you seen those fun but silly quizzes that seek to determine what region of the United States you grew up in by how you answer multiple choice questions about what things are called or how words are pronounced? There might be another data point to consider, at least for Baby Boomers, in helping to narrow down what region you hail from—did you watch Thunderbirds growing up? Thunderbirds aired in probably the early seventies on some Seattle station when I was a kid, and I remember watching the show with a combination of fascination (those sets are awesome) and astonishment (those marionettes are really kind of creepy). The brainchild of Gerry and Sylvia Anderson, Thunderbirds was supposed to be the world beating follow up to several of the Andersons’ previous “Supermarionation” shows like Fireball XL5 and Stingray, but perhaps unexpectedly the Andersons’ mentor and production whiz Lew Grade (he wasn’t quite a “Sir” yet) wasn’t able to secure a network berth for the series on this side of the pond, and it expired after a disappointing 32 episodes (in its original hour length format —some stations recut the shows to a half hour to have 64 episodes). The series followed the exciting adventures of the International Rescue organization, led by the indomitable Tracy clan (an elderly father and his several sons, evidently modeled on the Cartwrights of Bonanza fame). While Thunderbirds never really matriculated fully to the United States, it did show up in various markets in syndication (which is how I saw it in Seattle). Grade had actually greenlit the first of two feature films based on the series before the series ever aired, and despite Thunderbirds are Go’s less than stellar trek at the box office, two years later Thunderbird 6 came out, to a similarly lukewarm response. The two films offer a great chance to enjoy the Andersons’ frankly slightly cheesy but technically formidable miniature special effects work (something that none other than Stanley Kubrick was evidently interested in pilfering for 2001: A Space Odyssey). While there are unavoidably humorous moments in both films as director David Lane struggles to deal with the fact that his cast is—well, puppets, the two films are just as undeniably charming in their own way and will certainly provide a potent dose of nostalgia for those who were in one of those aforementioned markets where the original Thunderbirds series aired.


Aside from a very minor difference in aspect ratio (2.34:1 for Thunderbirds Are Go and 2.35:1 for Thunderbird 6), the AVC encoded 1080p transfers on these two films are similar in appearance and quality. Both feature elements in very good condition, with only a very few signs of age. Colors are really richly saturated, with everything from that garish pink of Lady Penelope's custom Rolls Royce to the crisp blues of the Tracy uniforms popping quite nicely. The image is stable and has a natural looking grain field (at times quite heavily so, in fact). There does appear to have been some very minor sharpening done here, as tiny halos occasionally crop up. Otherwise, though, contrast is great, black levels are nicely deep, and the bizarre textureless heads of all the marionettes have never looked better.

Both of the films offer their original mono mixes courtesy of DTS-HD Master Audio Mono tracks, but each also has rather well done surround tracks in DTS-HD Master Audio 5.1. While much of the soundstage still plays out in the front channels, the 5.1 mixes nicely open up a lot of the effects work, whether that be explosions or (more typically) the roar of the Thunderbirds blasting into action. Dialogue is presented very cleanly, and Barry Gray's boisterous music (also nicely splayed through the surrounds) sounds great.

Thunderbirds Are Go:

This wonderful double feature is going to be a godsend for certain Boomers who thrived on the bizarrely fake yet disturbingly real ambience of the Gerry and Sylvia Anderson oeuvre. Thunderbirds Are Go is probably overall the more enjoyable of the two, but together they offer a really nice overview of the extremely peculiar charm but surprisingly visceral intensity the Andersons brought to their marionette projects. Both films look and sound great, and overall the supplementary package is great as well. Highly recommended.