6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
THREE... EXTREMES brings together an Asian scream team of filmmakers, featuring a trio of short works by Hong Kong's Fruit Chan, Korea's Chanwook Park, and Japan's Takashi Miike. The trilogy opens with Chan's disgustingly entertaining DUMPLINGS, which he has also turned into a full-length film. In Park's brutally violent CUT, Lee Byung-hun stars as a movie director who has everything going for him. Finally, Miike closes the frightfest with BOX, a brilliant psychological thriller in which a reclusive novelist is haunted by her dead twin sister and a dark family secret...
Starring: Bai Ling, Tony Leung Ka-fai, Lee Byung-hun, Kang Hye-jeong, Pauline Lau| Foreign | Uncertain |
| Horror | Uncertain |
| Psychological thriller | Uncertain |
| Dark humor | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Cantonese: LPCM 2.0
Mandarin: LPCM 2.0
Korean: LPCM 2.0
Japanese: LPCM 2.0
Cantonese: DTS-HD Master Audio 5.1
Mandarin: DTS-HD Master Audio 5.1
Korean: DTS-HD Master Audio 5.1
Japanese: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Note: This film is available on Blu-ray as part of Three / Three... Extremes from Arrow Video.
Fans of world cinema who also have an interest in what might called "seasonal" spooky fare for the impending Halloween festivities are probably
well
acquainted with subgenres like so-called J-Horror and/or K-Horror productions, but Arrow is offering fans a sextet of stories across two discs that
might be more
broadly identified as A-Horror, i.e., Asian Horror. Three was released in
2002 and offered an interesting portmanteau structure which showed off the efforts of three different directors, one from Thailand, one from Hong
Kong and one from South Korea. Somewhat hilariously but not all that unusually in the annals of what might be broadly termed A-horror, the
original
film
only came out in the United States after a sequel, 2004's Three. . .Extremes, was released stateside successfully, and then only with
the malaprop title Three. . .Extremes II. One way or the other, the second film offered another trio of directors, albeit this time with a
Japanese director (the legendary Takashi Miike) taking the place of one from Thailand (while still offering the same "nationality", the Hong Kong and
South Korean directors in each property are different). As with any portmanteau, some of the vignettes may resonate more strongly than others
with
any given viewer(s), but taken together they offer a frequently viscerally palpable mood of unease, and they also can tend to kind of both exploit
and
maybe even deconstruct preconceived notions about what various "national" horror idioms tend to provide. As usual, Arrow has aggregated some
appealing supplements that should also be appreciated by genre enthusiasts.


Three. . .Extremes is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet for the set understandably combines its information about both films' transfers on one page:
Three and Three. . .Extremes have been restored by Arrow Films and are presented in their original aspect ratio of 1.85:1 with 5.1 and stereo audio.As I mentioned in the Three Blu-ray review, there are definitely different overall appearances on tap with the three segments included here, though I'd argue that this has an at least marginally more consistently homogeneous appearance than with regard to the first film. There are still some manifest variances in grain structure, to cite just one example, with some of Box and at least portions of Cut looking considerably grittier than Dumplings. The palette is very nicely suffused throughout Dumplings in particular. Cut has some intentionally skewed framings utilizing things like fisheye lenses that can marginally affect fine detail levels. Box also employs some nightmarish grading regimens that also intermittently detract from fine detail.
The original 35mm camera negatives were scanned in 4K by WE Distribution. Picture restoration and color grading were completed by Heavenly Movie Corp.
Audio restoration on the audio mixes for Three. . .Extremes was completed by Bad Princess Productions.All materials were provided by WE Distribution.

As is the case with Three, the glut of audio specs above boils down to one LPCM 2.0 track and one DTS-HD Master Audio 5.1 track, with the languages reflecting the national origins of the different segments. The surround track is especially effective on this film, notably adding some spooky immersion to moments like the ominous low scoring that opens Dumplings. Ambient effects throughout all three episodes also offer at least intermittent immersion and some appropriately jumpy startle effects. Dialogue is rendered cleanly and clearly throughout.


Three. . .Extremes offers another unsettling trio of stories, with solid technical merits and some appealing supplements. Recommended.
(Still not reliable for this title)

악마를 보았다 | Director's Cut
2010

La casa sperduta nel parco | Limited Edition to 1500
1980

מי מפחד מהזאב הרע / Mi mefakhed mehaze'ev hara
2013

2008

Mientras Duermes
2011

The Ordeal / Slipcover in Original Pressing
2004

オーディション | Ôdishon | Special Edition
1999

Wú gōng zhòu | Ng gung jau | 蜈蚣咒 | Limited Collector’s Edition Slipcase #1
1982

The Death Dealer / Milano odia: la polizia non può sparare
1974

Zhong gui / Chung gwai / 種鬼
1983

Tutti i colori del buio
1972

Il profumo della signora in nero
1974

Sette scialli di seta gialla | Standard Edition
1972

Yi boh lai beng duk / Yī bō lā bìng dú / 伊波拉病毒
1996

Knackningar
2021

2014

Non si sevizia un paperino | Limited Edition
1972

La notte dei diavoli
1972

1987

L'uccello dalle piume di cristallo | Remastered
1970