8.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Julie is the lone survivor of an automobile crash that killed her husband, a famed composer, and their only child. Despondent, Julie attempts suicide, but she cannot bring herself to take her own life. Instead, she sets about starting over, purging all remnants of her former existence in an attempt to sever her ties to the past.
Starring: Juliette Binoche, Benoît Régent, Florence Pernel, Charlotte Véry, Hélène VincentDrama | 100% |
Foreign | 81% |
Mystery | 15% |
Music | 7% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (locked)
Movie | 5.0 | |
Video | 4.0 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Krzysztof Kieślowski's "Blue" (1993) arrives on 4K Blu-ray/Blu-ray courtesy of Criterion. The supplemental features on the release include archival program with Juliette Binoche; archival program with composer Zbigniew Preisner; two student films directed by Krzysztof Kieślowski; vintage trailer for the film; and more. In French, with optional English subtitles for the main feature. Region-Free.
Criterion's release of Blue is a 4K Blu-ray/Blu-ray combo pack. It is included in the Three Colors 4K Blu-ray/Blu-ray box set. The 4K Blu-ray is Region-Free. The Blu-ray is Region-A "locked".
UPDATE: I have received a market copy of the 4K Blu-ray/Blu-ray box set. The Blu-ray disc presents the older version of Blue, from the original three-disc Blu-ray box set, with the older color timing. I have provided some additional screencaptures from the Blu-ray disc that is included in this box set.
The following text appears inside the booklet that is provided with this release:
"The new 4K restorations of all three films (Blue, White, Red) were undertaken by MK2 at Hiventy in Joinville-le-Pont, France, using the 35mm original camera negatives. The restoration of Blue was supervised by director of photography Slawomir Idziak; the restoration of Red was supervised by cinematographers Piotr Sobocinski Jr. and Michael Sobocinski, sons of director of photography Piotr Sobocinski; and an archival 35mm theatrical print was used as a color reference for White. The 5.1 surround soundtracks were created from the 35mm magnetic tracks."
Please note that some of the screencaptures in this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc, including the actual color values of this content.
Screencaptures #1-31 are from the 4K Blu-ray disc of Blue.
Screencaptures #33-40 are from the Blu-ray disc of Blue.
Criterion released the Three Colors trilogy on Blu-ray more than a decade ago, in 2011. Each release was sourced from masters that were prepared even earlier. The three films were recently redone in 4K and this box set introduces the new 4K makeovers in native 4K. The 4K presentations can be viewed with HDR and Dolby Vision. I viewed Blue with Dolby Vision.
The new 4K makeover produces healthier visuals that routinely boast better delineation, clarity, and depth. I would not describe the overall difference in quality as dramatic because the 1080p presentation of Blue from the previous Blu-ray release still looks very nice, but the improved density and dynamic range of the visuals in native 4K are undeniable. However, these discrepancies should not be surprising. They should be expected because they are two of the key areas where proper 4K presentations must excel. Fluidity is improved too, so if you view your films on a large screen or project, now you should notice much more even visuals. Unfortunately, the color balance of the new 4K makeover is unconvincing. Why? The color blue has always had a very prominent role in this film but now it is diminished and the difference is very obvious. Indeed, in the past, the film has always had different ranges of blues directly linked to Julie's efforts to regain her liberty, but on the new 4K makeover there are various ranges of turquoise (and some cyan). There is only one sequence where much of the blue is retained but with different saturation levels. (It is the pool sequence, which would have been very difficult to dramatically destabilize because in the past the blue was most prominent there). While in some areas the turquoise could blend rather nicely with certain primary colors, if you have previous experience with the film, you will instantly recognize that the original blue is either dramatically toned down or lost. Sadly, in most cases, the blue is replaced with turquoise. So, is this a serious problem? As far as I am concerned, the answer is yes. I have seen the film theatrically multiple times and can categorically state that the amount of prominent turquoise that is present on the 4K makeover has been introduced in a lab. I am sorry, but current claims floating around the internet that this is the intended look of the film are false. The film's original theatrical appearance emphasizes blues -- sometimes very thick blues, like the ones that are present during the pool sequence, and sometimes unique 'flashes' of blues, like the ones missing in screencaptures #30 and 31 -- and does it very effectively in many memorable ways. Image stability is outstanding. The entire film looks immaculate as well.
There is only one standard audio track on the 4K Blu-ray release: French DTS-HD Master Audio 5.1. Optional English subtitles are provided for the main feature. The Blu-ray disc has two standard audio tracks: French DTS-HD Master Audio 2.0 and French DTS-HD Master Audio 5.1.
The quality of the audio is outstanding. Depth, clarity, separation, and the unique contrasts that are associated with Zbigniew Preisner's score create quite the sound field. I did not encounter any encoding anomalies to report in our review.
4K BLU-RAY DISC
The new 4K makeover of Krzysztof Kieslowski's Blue has the exact same flaw the new 4K makeover of Peter Collinson's The Italian Job does. It greatly diminishes the very important role of the color blue and alters the original theatrical appearance of the film. This is unfortunate because a proper grading job would have ensured a definitive home video release of Blue. If you do not find the color modifications that are highlighted in our review important, then it is practically guaranteed that you will be very pleased with the overall quality of the 4K makeover. Blue is included in the Three Colors 4K Blu-ray/Blu-ray box set, which will be available for purchase next week.
UPDATE: I have received a market copy of the 4K Blu-ray/Blu-ray box set. The Blu-ray disc presents the older version of Blue, from the original three-disc Blu-ray box set, with the older color timing. So, if you purchase the 4K Blu-ray/Blu-ray box set, you will have the original presentation of Blue as well. Because of the inclusion of the older version of Blue, the overall score of our review has been updated.
(Still not reliable for this title)
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