6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Marty Lakewood is a reporter forced to leave Chicago and his family because he had uncovered too much police corruption. He returns to his small home town on the California coast to his ailing mother and prostitute sister, with whom he had an incestuous affair. Being short of money, he seduces a woman cop in order to sell her house.
Starring: Billy Zane, Richard Edson, Norman Max Maxwell, Matt O'Toole, Mert HatfieldDrama | 100% |
Crime | 20% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.90:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
per MediaInfo
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 1.5 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 3.5 | |
Overall | 3.0 |
There’s been a longstanding Hollywood fascination with the works of author Jim Thompson. He’s a writer specializing in dark poetry, creating ugly characters involved in ugly business, unable to touch the bottom of the pool when it comes to the depths of horrible business. Of course, this is catnip to filmmakers, with 1997’s “This World, Then the Fireworks” a particularly itchy adaptation of a Thompson novella, with the production working very hard to make as claustrophobic and freewheeling a movie as possible.
The AVC encoded image (1.90:1 aspect ratio) presentation is taken from an older scan of "This World, Then the Fireworks," delivered with a mild amount of baked-in filtering that keeps the viewing experience more flat than filmic. Detail isn't there, with softness apparent and natural textures difficult to come by. Colors remain the highlight, but even true hues have trouble emerging, offering a slightly muddy palette instead of shockingly vibrant changes in appearance. Delineation also showcases difficulty, with periodic solidification. Source is free of overt damage.
The 2.0 DTS-HD MA sound mix finds music and performances often competing for attention, with dialogue exchanges periodically losing the battle, missing clarity around hotter jazz selections. Music retains instrumentation and volume, selling the period mood with heft. Atmospherics are detailed, and sound effects retain snap.
"This World, Then the Fireworks" is teeming with sex and violence, but the film doesn't connect in any meaningful way. It's cheeky, but never funny. It's stylish, but rarely compelling. It's angry, but hardly threatening. Perhaps Thompson would've approved of this cinematic chaos, but I find it difficult to believe anyone outside the author's inner circle is going to be mesmerized by this misfire.
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