7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
When her village is threatened with forced resettlement due to reservoir construction, an 80-year-old widow finds a new will to live and ignites the spirit of resilience within her community.
Director: Lemohang Jeremiah MoseseForeign | 100% |
Drama | 84% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.40:1
Original aspect ratio: 1.40:1
Sotho: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 4.0 |
Synchronicity has once again made an appearance in my review queue, with this fascinating Lesothan film directly following the equally (if in a distinctly different way) fascinating The Funeral from Japan. As is probably more than clearly indicated in the titles of each film, our unavoidable mortality is at the center of the story of both entries, though in the case of The Funeral, a number of characters who have "outlasted" a paterfamilias are tasked with sending off their relative with appropriate aplomb despite being often uncertain of how exactly to accomplish that fact, while This Is Not a Burial, It's a Resurrection deals with an elderly woman who is taking matters into her own hands, so to speak, preparing for her imminent demise within an additionally fraught socio-political and -economic context.
This is Not a Burial, This is a Resurrection is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.40:1. In lieu of an insert booklet, Criterion provides an accordion style foldout for this release which contains the following brief verbiage on the master:
This Is Not a Burial, It's a Resurrection is presented in it soriginal aspect ratio of 1.40:1. The film was shot on a Sony CineAlta Venice and completed in a fully digital workflow. The 5.1 surround audio for this release was matered from the original digital audio master files.The IMDb unfortunately doesn't have any information on the resolution of the DI, but some intermittent fuzziness leads me to believe it may have been 2K rather than 4K (as always with my reviews, if anyone can point me toward authoritative and verifiable information, I'll happily update things here). This is a gorgeous looking transfer in any case, despite a few kind of odd issues like noticeable flicker (digitally achieved?) in a couple of establishing shots, and an obvious attempt to give a more filmic appearance courtesy of digital grain, which may be just a tad gritty looking against brighter blue skies in particular at times. There's a really ravishingly lush palette on display a lot of the time, including some lustrous yellows and especially evocative purples. Shadow detail can ebb and flow, especially since a number of interior scenes seem to have been naturally (and minimally) lit. There are a couple of momentary shots that border on the psychedelic (see screenshot 17). Note the slightly curved corners of the frame, which probably subliminally contribute along with the aspect ratio toward a "historic" feel.
This Is Not a Burial, It's a Resurrection features a really evocative DTS-HD Master Audio 5.1 mix in the original Sotho. The haunting sounds of the lesiba give an almost otherworldly aspect to sections of the soundtrack, and a glut of outdoor material provides ample opportunity for well placed ambient environmental effects that engage the side and rear channels. Both quasi-narration and dialogue is presented cleanly and clearly throughout. Optional English subtitles are available.
There's an ineffable sadness permeating much of This Is Not a Burial, It's a Resurrection, an aspect to the film that may provided a pretty pointed deconstruction of the film's very title. The somewhat static nature of Lemohang Jeremiah Mosese's direction may make this feel like a filmed play at times, but the stunning use of very evocative locations at least provides a lot to look at even when narrative momentum may arguably slow a bit. The titanic performance of Mary Twala Mhlongo is unforgettable, and Jerry Mofokeng Wa Makhetha's work is also haunting in its own way. Technical merits are first rate and as usual with Criterion Collection releases, supplements are also excellent. Recommended.
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