Things to Do in Denver When You're Dead Blu-ray Movie

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Things to Do in Denver When You're Dead Blu-ray Movie United States

4K Restoration
Kino Lorber | 1995 | 115 min | Not rated | Apr 29, 2025

Things to Do in Denver When You're Dead (Blu-ray Movie)

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Movie rating

6.7
 / 10

Blu-ray rating

Users0.0 of 50.0
Reviewer4.5 of 54.5
Overall4.5 of 54.5

Overview

Things to Do in Denver When You're Dead (1995)

After a foolproof scam turns sour, Jimmy the Saint (Andy Garcia) and his hard-bitten crew must put their various sordid affairs in order before facing their final bloody curtain call.

Starring: Andy Garcia, Christopher Lloyd, Christopher Walken, William Forsythe, Bill Nunn
Director: Gary Fleder

CrimeUncertain
DramaUncertain

Specifications

  • Video

    Video codec: MPEG-4 AVC
    Video resolution: 1080p
    Aspect ratio: 1.85:1
    Original aspect ratio: 1.85:1

  • Audio

    English: DTS-HD Master Audio 5.1
    English: DTS-HD Master Audio 2.0

  • Subtitles

    English SDH

  • Discs

    Blu-ray Disc
    Single disc (1 BD)

  • Packaging

    Slipcover in original pressing

  • Playback

    Region A (locked)

Review

Rating summary

Movie4.5 of 54.5
Video5.0 of 55.0
Audio5.0 of 55.0
Extras5.0 of 55.0
Overall4.5 of 54.5

Things to Do in Denver When You're Dead Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov May 1, 2025

Gary Fleder's "Things to Do in Denver When You're Dead" (1995) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include new audio commentary by Fleder and screenwriter Scott Rosenberg; new audio commentary by critic Daniel Kremer; new program with production designer Nelson Coates; archival featurette; original trailer; and more. In English, with optional English SDH subtitles for the main feature. Region-A "locked".

Boat drinks, Jimmy. It is time for boat drinks.


Gary Fleder’s first feature film, Things to Do in Denver When You’re Dead, remains his best work. Its sense of humor is of the type that is no longer allowed, even in genre films that boldly parade themselves as ultra-wicked and edgy. Its action is quick, chic, and messy. It is the kind of action that used to make viewing a genre film at your local theater a special experience. Its drama is quirky but hard-hitting, meant for adults capable of recognizing the many important themes that are attached to it. Its IQ is as admirable as that of James Foley’s Glengarry Glen Ross. And yes, you guessed right, it has a group of true stars at the top of their game.

Jimmy The Saint (Andy Garcia) is a former gangster who has started making a living as a legitimate businessman in Denver, Colorado. During the switch from his old lifestyle to his new lifestyle, Jimmy struggled, and even though lately he has again taken a few loans to keep moving forward, he is convinced that it is all coming together for him.

But on the same day Jimmy bumps into Dagney (Gabrielle Anwar), who may very well be the perfect girl he has been waiting for his entire life, he is cornered by two goons and informed that his former crippled boss (Christopher Walken) urgently needs to see him. It is not a request, it is an order, so Jimmy must immediately abandon whatever it is he is doing and head straight to his boss’ lavish home. Half an hour later, Jimmy is asked to do a job -- rough up a guy who has stolen the girlfriend of his boss’ perverted son (Michael Nicolosi). In exchange for the favor, Jimmy won’t have to worry about the loans his former boss has bought off of his creditors.

Determined to do the job quickly and efficiently so that he can return to his business and continue pursuing Dagney, Jimmy reaches out to the four members of his old crew -- Pieces (Christopher Lloyd), who is making ends meet as a projectionist in an adult theater; Franchise (William Forsythe), who has become a husband and father and lives with his family in a trailer park; Easy Wind (Bill Nunn), who still does odd jobs to stay afloat; and Critical Bill (Treat Williams), who is still as critically whacky as he was during the good ol’ days.

Jimmy and his crew go to work but screw up so badly that his former boss immediately summons Mr. Shhh (Steve Buscemi) to relieve his headache. Mr. Shhh is flying from another state and isn’t a medical professional, but the most lethal contract killer west of the Mississippi. Jimmy is the only one that is given a chance to live, but he must leave Denver in forty-eight hours.

Scott Rosenberg’s original screenplay is pure dynamite. It mixes different kinds of slang and produces fireworks that are often on par with the ones witnessed in Glengarry Glen Ross. However, the emotional ups and downs that emerge with these fireworks are so diverse that it becomes awfully difficult to think of Things to Do in Denver When You’re Dead as a straightforward genre film.

The other great strength of Things to Do in Denver When You’re Dead is its fantastic management of the character arcs. Indeed, not only are they very unique, but the screenplay does not treat any of them as secondary. As a result, Things to Do in Denver When You’re Dead quickly evolves into a complex puzzle of overlapping personalities that relentlessly charge the narrative with different types of energy until the very end. For this very reason, despite having a limited time in front of the camera, Jack Warden’s old-timer and Fairuza Balk’s prostitute, for instance, easily leave lasting impressions.

Elliot Davis’ superb lensing gives Things to Do in Denver When You’re Dead a stylish neo-noir appearance that reminds of Barry Sonnenfeld’s work in Blood Simple.


Things to Do in Denver When You're Dead Blu-ray Movie, Video Quality  5.0 of 5

Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Things to Do in Denver When You're Dead arrives on Blu-ray courtesy of Kino Lorber.

The release introduces an exclusive new 4K makeover prepared at Paramount. The 4K makeover is also available on 4K Blu-ray in this this combo pack.

In 2022, we reviewed this Australian release of Things to Do in Denver When You're Dead, produced by local label Imprint Films. It is the only other home video release of the film that I have in my library. It was sourced from an older but very strong master, which I liked a lot. I still do. I viewed the entire film on 4K Blu-ray but spent time with the 1080p presentation of it on this Blu-ray and did various comparisons with the Australian Blu-ray.

The film looks has a fresher, more attractive appearance now. In certain areas where there is an abundance of natural lighting, it is easy to tell that delineation, clarity, and depth are better. However, there are many areas where the visuals from the previous release are similarly impressive. Darker areas look very good, and this is a crucial strength of the new 4K makeover because there is a lot of diverse darker/nighttime material. Color reproduction and balance are outstanding. Some supporting nuances are carefully rebalanced, but the overall temperature of the visuals and balance are practically identical to those of the previous master. I like what I saw on my system a lot. In fact, I prefer how the 4K makeover looks without Dolby Vision on the 4K Blu-ray and in 1080p because of the overall color balance the entire film has this way. There are no traces of problematic digital corrections. Image stability is excellent. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).


Things to Do in Denver When You're Dead Blu-ray Movie, Audio Quality  5.0 of 5

There are two standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 5.1 and English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.

I viewed Things to Do in Denver When You're Dead in native 4K on the 4K Blu-ray and then spent time with the 1080p presentation of it on the Blu-ray. The comments below are from our review of the 4K Blu-ray/Bu-ray combo pack.

The 5.1 track is definitely the one to view the film with. It handles all of the action material and the quieter scenes very nicely. On the Australian release we reviewed a few years ago, the 5.1 track was outstanding, too. While revisiting Things to Do in Denver When You're Dead last night, I switched to the 2.0 track in multiple areas and stayed with to see if I would like it just as much as I do the 5.1. What I heard was great again, but I doubt people will insist on viewing the film with it.


Things to Do in Denver When You're Dead Blu-ray Movie, Special Features and Extras  5.0 of 5

  • Commentary One - in this new audio commentary, director Gary Fleder and writer Scott Rosenberg discuss the genesis of Things to Do in Denver When You're Dead and Miramax's involvement with it (which was not the party that was supposed to produce it), the great cast that was assembled at a time when many terrific actors were interested in doing unconventional parts, the rejection of Tony Scott (who wanted to direct the film), the symbolism behind the decision to set the film in Denver (not in traditional "gangster cities", like Chicago, LA, and New York), Andy Garcia's terrific character transformation, and the very dark material that gives the film's its identity.
  • Commentary Two - in this new audio commentary, critic Daniel Kremer deconstructs Things to Do in Denver When You're Dead and shares various bits of information about its conception, production, and reception.
  • "Things to Perform in Denver When You're Dead" - in this archival program, Andy Garcia explains what immediately attracted him to Scott Rosenberg's screenplay for Things to Do in Denver When You're Dead, and discusses his initial encounter with Gary Fleder, the unique slang that is heard throughout the film, the chemistry between the stars, what it was like to work with Christopher Walken, the unique qualities of his character and his business. Mr. Garcia even discusses the possibility of a second film with the same characters causing noise on the other side. The program was produced by Ballyhoo Motion Pictures and first appeared on Australian label Imprint Films' Blu-ray release of Things to Do in Denver When You're Dead. In English, not subtitled. (20 min).
  • "Things to Direct in Denver When You're Dead" - in this archival program, director Gary Fleder recalls the exact moment during the early 1990s when Miramax became involved with Things to Do in Denver When You're Dead and he went to work on it, Tony Scott's attempt to take over the film, how Pulp Fiction permanently overshadowed it, the arrival of Andy Garcia and how it legitimized the project, etc. There are some terrific comments about the casting of Treat Williams and Roger Ebert's take on the film as well. The program was produced by Ballyhoo Motion Pictures and first appeared on Australian label Imprint Films' Blu-ray release of Things to Do in Denver When You're Dead. In English, not subtitled. (18 min).
  • "Things to Write in Denver When You're Dead" - in this archival program, screenwriter Scott Rosenberg recalls how he ended up in Los Angeles and started writing, and discusses the original ideas that became the foundation of his screenplay for Things to Do in Denver When You're Dead, his collaboration with Gary Fleder, the great cast that was assembled for the film, the unique slang and the overlapping of comedy and drama, etc. There are some very interesting comments about the tightening up of the narrative, which was structured differently in the screenplay, and the manner in which it hurts the romance between Andy Garcia and Gabrielle Anwar. The program was produced by Ballyhoo Motion Pictures and first appeared on Australian label Imprint Films' Blu-ray release of Things to Do in Denver When You're Dead. In English, not subtitled. (18 min).
  • "Things to Design in Denver When You're Dead" - in this archival program, production designer Nelson Coates discusses some of the things that needed to be accomplished during the pre-production process, the unique locations in Denver that were chosen for key sequences, the bar and stage that was created for Buddy Guy's performance, and the promotional campaigns for the film in America and Europe. The program was produced by Ballyhoo Motion Pictures and first appeared on Australian label Imprint Films' Blu-ray release of Things to Do in Denver When You're Dead. In English, not subtitled. (24 min).
  • Production Featurette - this archival EPK, produced for Miramax, gathers clips from interviews with Andy Garcia, director Gary Fleder, writer Scott Rosenberg, co-producer Cathy Konrad, executive producer Marie Cantin, and producer Cary Woods, amongst others. In English, not subtitled. (6 min).
  • Trailer - presented here is a vintage trailer for Things to Do in Denver When You're Dead. In English, not subtitled. (3 min).


Things to Do in Denver When You're Dead Blu-ray Movie, Overall Score and Recommendation  4.5 of 5

It was very interesting to hear Gary Fleder's comments about Roger Ebert's contrasting takes on Things to Do in Denver When You're Dead because I remember extremely well how quickly the film lost steam, but the famous critic wasn't the only one that did not get it. To this day, there are plenty of people who like to compare Things to Do in Denver When You're Dead to Pulp Fiction, which is pretty bizarre because they deal with completely different themes. I think that Scott Rosenberg's screenplay is pure dynamite and remarkably thought-provoking as well, so if the sequel Andy Garcia mentions ever materializes, I will be rushing to see it on opening day. This combo pack introduces a wonderful, very accurate new 4K makeover prepared by the folks at Paramount, with a terrific selection of new and archival bonus features. The new commentary that Fleder and Rosenberg recorded covers everything a fan of Things to Do in Denver When You're Dead would want to know. A 4K Blu-ray/Blu-ray combo pack is available for purchase as well. VERY HIGHLY RECOMMENDED.


Other editions

Things to Do in Denver When You're Dead: Other Editions