Thief Blu-ray Movie

Rating summary

Movie		5.0
Video		5.0
Audio		5.0
Extras		4.0
Overall		5.0

Thief Blu-ray Movie Review

Reviewed by Dr. Svet Atanasov December 18, 2013

Nominated for the prestigious Palme d'Or Award, Michael Mann's "Thief" (1981) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an original theatrical trailer for the film; exclusive new video interview with the American director; exclusive new video interview with actor James Caan; new video interview with Johannes Schmoelling, former member of Tangerine Dream; and audio commentary with director Michael Mann and James Caan. The release also arrives with an illustrated booklet featuring an essay by critic Nick James. In English, with optional English SDH subtitles for the main feature. Region-A "locked".

"I'm telling you, this guy's trouble. We whack him out."

The main protagonist in Michael Mann's directorial debut, Frank (James Caan, The Godfather), is a single professional thief living in Chicago who has wasted a good portion of his life serving a sentence in Joliet Correctional Center. Because he does not like feeling lonely, he is constantly on the move.

Barry (James Belushi, Red Heat) is Frank's trusted partner. The two have worked together for years and managed to put some money aside, but not enough to retire and enjoy life. And they both know it, which is why they have just completed a risky job that will solve their financial problems.

The name of the man who will make Frank and Barry's retirement possible is Gags (Hal Frank, Class). He is a connected dealer, who has agreed to trade Frank and Barry's stolen diamonds for cash. But shortly after Frank hands the diamonds to Gags, he 'accidentally' jumps through his window and the cash goes missing.

While following his instincts and with a bit of luck, Frank discovers that the missing cash might have ended up in the office of a very shady crook (Tom Sgnorelli, Death of a Salesman). Initially, the crook refuses to discuss the cash, but later, after feeling the heat, agrees to return it in the presence of Leo (Robert Prosky, Hoffa), a big-time crime boss who knows how to help a man get rich quickly.

Soon after, Frank meets Leo and reluctantly agrees to do a six-figure job for him. While preparing for it, Frank also convinces Jessie (Tuesday Weld, Once Upon a Time in America), a beautiful single girl whom he has been trying to date seriously, that they have a future together. The two quickly move into a brand new house and with Leo's help even adopt a baby boy, but then an unexpected event forces Frank to reconsider his retirement plan.

There are a couple of reasons why Mann's Thief is unlike any other American crime film from the early '80s. One is that it was shot in Chicago, the director's hometown. In Thief, Chicago is the only other character whose style rivals that of Caan's enigmatic character. During the day it could look calm and friendly, but at night it becomes bleak and dangerous, an urban jungle where life is cheaper than a can of Coke. Its heavy neon lights are captured in such a way that each time they emerge on the screen, the intensity of the drama immediately goes up a notch. In other words, Mann knew exactly where to go, what to look for, and how to shoot it to convince the viewer that like the thief, Chicago also has multiple identities. (More than four decades later, this remains true).

Mann hired some real troublemakers from Chicago to play several important characters. Real thieves were also invited to serve as technical consultants during the shooting of the crucial break-ins. Mann even insisted that real tools are used in these sequences. The big vault Caan's crew worked on was real, too. Unsurprisingly, Thief is not only an incredibly stylish film, but a remarkably realistic one.

The bold electronic soundtrack is what glues everything together. Created by the legendary German electro/ambient rockers Tangerine Dream, the music does not just enhance the terrific atmosphere, it is used in particular ways to create dimensionality which the visuals alone could not have possibly introduced. Also, there are entire sequences where the music (or the unique industrial sounds) essentially replaces what would have been traditional dialog.

Thief Blu-ray Movie, Video Quality 

Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Michael Mann's Thief arrives on Blu-ray courtesy of Criterion.

The following text appears inside the booklet provided with this Blu-ray release:

"This new digital transfer was created in 4K resolution on a Northlight film scanner from the 35mm original camera negative. Director Michael Mann's original 35mm answer print was used as a color reference, and Mann supervised and approved the entire transfer. The additional Willie Dixon fisherman scene was taken from a 35mm internegative made from a 35mm print. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI's DRS, while Digital Vision's Phoenix was used for small dirt, grain, and noise management, jitter, and flicker.

The original stereo soundtrack was remastered to 5.1 surround at 24-bit from 35mm 4-track magnetic audio stems, and approved by Mann. Clicks, thumps, hiss, and hum were manually removed using Pro Tools HD. Crackle was attenuated using AudioCube's integrated workstation.

Transfer supervisors: Lee Kline, Michael Mann.
Colorist: Gregg Garvin/Modern VideoFilm, Burbank."

Restored in 4K and approved by Michael Mann, the director's cut of Thief looks incredibly beautiful on Blu-ray. In fact, the improvements in image quality are so dramatic that I feel very comfortable stating that those who have previously seen Thief only on the non-anamorphic R1 DVD MGM produced years ago will experience an entirely new film. The nighttime footage, in particular, looks spectacular. The flat and murky visuals from the DVD release are replaced by dark but lush visuals with some hugely atmospheric neon lights that give the film a very stylish neo-noir look. Additionally, now it is a lot easier to appreciate the camera's very precise moves. (See the opening sequence where the camera slowly moves between the two buildings and see how light and shadow are treated). Contrast levels are stable. Sharpness levels occasionally fluctuate, but the minor fluctuations are part of the film's visual design. Color reproduction is excellent. In fact, there is an entirely new range of cold colors that are crucial for the film's neo-noir look. There are absolutely no traces of problematic degraining corrections. Also, sharpening adjustments have not been applied. Unsurprisingly, from start to finish the film has a very solid organic look. Finally, the film also looks very healthy. There are no debris, scratches, cuts, stains, or warps to report in this review. All in all, I am convinced that some older fans of Thief will be quite overwhelmed by this newly restored director's cut of the film. It is that beautiful. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).

Thief Blu-ray Movie, Audio Quality 

There is only one standard audio track on this Blu-ray release: DTS-HD Master Audio 5.1. For the record, Criterion have provided optional English SDH subtitles for the main feature.

As far as I am concerned, the improvements in the audio department are even more impressive than those in the video department. The depth and fluidity of legendary electro/ambient group Tangerine Dream's atmospheric soundtrack are so much better that entire sections of the film now have a completely different vibe. Also, the shootouts and the casual conversations sound fantastic. For the record, there are absolutely no pops, cracks, audio dropouts, or distortions to report in this review.

Thief Blu-ray Movie, Special Features and Extras 

• Michael Mann - in this new interview, conducted by Variety chief critic Scott Foundas, Michael Mann recalls how Thief came to exist, and discusses the film's visual style (and specifically the unique treatment of light and shadow), casting process, and its cult soundtrack. Mann also mentions some of the real thieves and gangsters from Chicago that inspired key characters in his film. The interview was conducted exclusively for Criterion in 2013. In English, not subtitled. (25 min, 1080p).

• James Caan - in this new video interview, James Caan recalls his collaboration with Michael Mann on Thief. Caan also explains how select sequences from the film were shot and discusses his preparation efforts for his character, Frank. The program was produced exclusively for Criterion in 2013. In English, not subtitled. (11 min, 1080p).

• Tangerine Dream - in this new video interview, Johannes Schmoelling, who was a member of Tangerine Dream at the time when Thief was shot, recalls how the film's cult soundtrack was created. The interview was conducted exclusively for Criterion in 2013. In German, with optional English subtitles. (16 min, 1080p).

• Commentary - this audio commentary with Michael Mann and James Caan initially appeared on the R1 DVD release of Thief. It was recorded in 1995. In English, not subtitled.

• Trailer - original theatrical trailer for Thief. In English, not subtitled. (2 min, 1080p).

• Booklet - illustrated booklet featuring an essay by critic Nick James.

Thief Blu-ray Movie, Overall Score and Recommendation 

Michael Mann's directorial debut Thief, one of the most atmospheric gangster films from the early '80s, has been given a complete makeover and the final result is indeed enormously impressive. The Blu-ray release also comes with three new video interviews conducted by Criterion earlier this year. Make sure to see the one with ex-Tangerine Dream member Johannes Schmoelling. It is truly illuminating. VERY HIGHLY RECOMMENDED.