7.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
When two sisters go to an isolated cabin in the woods to film a passion project, family secrets start to get in the way… as do masked strangers filming a passion project of their own.
Starring: Karli Hall, Amanda Kathleen Ward, Jake Ferree| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.89:1
Original aspect ratio: 1.85:1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region free
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
As the marketplace gradually fills with home invasion thrillers, “They’re Inside” initially seems like another installment of the masked maniacs subgenre, pitting hapless twentysomethings against the unnervingly composed might of creeps who’ve recently shopped at Dollar General to avoid being identified. Co-writer/director John-Paul Panelli isn’t aiming for complete originality with the picture (especially on a visual level), but he’s ultimately going for something Haneke-esque instead of rehashing “The Strangers.” It’s not a huge diversion from the norm, but it’s something to disrupt expectations.


The AVC encoded image (1.89:1 aspect ratio) presentation preserves the low-budget look of "They're Inside," which primarily uses commercial-grade equipment to create its version of reality. Colors are exact, dealing mostly with warmer interiors, and costuming offers more powerful hues. Violence offers deep reds, and mask design goes for brighter primaries. Skintones are natural. Detail is also acceptable, capturing facial surfaces and housing interiors, offering textures on decoration and clothing, while exteriors retain woodsy particulars. It's poor compression that repeatedly returns to the viewing experience, with banding a common sight.

The 5.1 Dolby Digital mix is largely frontal, dealing with performances as actors run through scenes of camaraderie and panic. Voices sound exact. Scoring fills up the soundspace, with orchestral cuts surrounding the listener, presented with sharp instrumentation. Surrounds are also employed for some atmospherics during spooky encounters, with some exaggeration on crunchy footsteps. Low-end isn't utilized in full.


"They're Inside" doesn't avoid all the dangers of found footage, finding the cast largely eager to be seen with broad performances, limiting reality with pronounced behaviors. Camerawork is also jumpy, reflecting the making of a documentary, but quakes and blunt edits lose their meaning in a hurry. Despite some shortcomings, "They're Inside" retains some disturbing imagery and Euro-style intensity, hitting intended beats of torment and horror- stained psychoanalysis.
(Still not reliable for this title)

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