7.1 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Trevor Howard is Clem, an ex-serviceman who is drawn to black-marketeering. When his sadistic gang boss betrays him after Clem refuses to deal in drugs, the story takes a brutal, vengeful turn. An atypically grim and uncompromising film for its time.
Starring: Trevor Howard, Sally Gray, Griffith Jones, Charles Farrell (II), René RayFilm-Noir | 100% |
Crime | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: LPCM 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 0.5 | |
Overall | 3.5 |
Along with jazz and the short story, film noir is often seen as a distinctly American form, born from a coupling of hardboiled crime fiction and the
shadowy visual Expressionism that German emigre directors like Fritz Lang and Robert Siodmak brought with them when they moved to Hollywood.
But across the pond, English filmmakers were also churning out gritty chiaroscuro masterpieces. Carol Reed's The Third Man. John Boulting's
Brighton Rock. Jules Dassin's Night and the City. Brit-noir tends to be damper, draftier, and less glamorous than its American
counterpart—think wet cobblestone instead of hot asphalt—not to mention more affected by a sort of post-WWII melancholy, a wistful putting-the-
pieces-back-together sadness.
Another great example is 1947's They Made Me a Fugitive—released in the U.S. as I Became a Criminal—from prolific but mostly
forgotten director Alberto Cavalcanti, a Brazilian national who spent his most active years making films in France and the U.K. He's probably best
known for the memorable ventriloquist section in the influential horror anthology Dead of Night, but he also did a Nicholas Nickleby
adaptation, the musical Champagne Charlie, and even a few wartime propaganda films. With They Made Me a Fugitive, he crafted a
tense and stylish thriller out some of the usual noir touchstones—underhanded frame-jobs and revenge served cold, cynical criminals and the hard-
living dames who love them.
Sourced from the BFI National Archive's 2009 restoration, Kino's 1080p/AVC-encoded Blu-ray transfer is excellent, presented with fidelity to the film's natural 35mm appearance—no grain-erasing DNR or harsh edge enhancement here—and exhibiting only minor print damage. You'll spot occasional white/black specks, small vertical scratches, and some mild contrast/brightness flickering, but nothing pervasive or distracting. Clarity gets the most visible improvement from standard definition DVD, with substantially increased detail, especially visible in the fabric textures of the characters' dapper suit jackets and overcoats. Minus some slight fluctuations in black levels, the gradation is spot on—with deep noir shadows and crisp but never overblown highlights—and there's a rich spectrum of grays in between. The transfer's not quite up to the level of some of the B&W films put out by The Criterion Collection—see The Seventh Seal or Letter Never Sent—but it's impressive nonetheless. Noir fans should be pleased.
For the film's Blu-ray debut, Kino has included an uncompressed Linear PCM 2.0 track that's mostly clean and clear, free from the overtly distracting hisses, pops, and crackles that sometime plague mid-century movies. Of course, films from the '40s typically have a slightly thin, bass-less quality, and They Made Me a Fugitive is no different. Still, it is what it is, and I suspect we're getting as good of an audio mix as is capable from the source materials. The film's limited music cues sound good—almost entirely free of high-end clipping—and the dialogue is easy on the ears, if not always intelligible. Kino hasn't included any subtitle options, and as decently recorded as the actors' lines are, the combination of brisk British accents and outdated slang makes for occasional moments where you may wonder, wait, what did he just say? Not a deal-breaker by any means, but in the future it'd be nice to at the very least get English subs on these Kino Classics releases.
The lone extras on the disc are trailers for Nothing Sacred, A Star is Born, and Pandora and the Flying Dutchman.
Prefiguring The Third Man by two years, They Made Me a Fugitive tells a similar—if not quite as visually and dramatically potent—tale of England's post-war black market criminal underground, filled with dark cobblestone streets, contraband-stuffed coffins, and snappy gangster dialogue. Kino's sharp-looking Blu-ray release features a restored 2009 high definition transfer by the BFI National Archive, and though the disc has no special features to speak of, this is a purchase-worthy must-see for connoisseurs of noir—especially fans of the damp and drafty British variety. Highly recommended!
Reissue | Special Edition
1948
1948
Warner Archive Collection
1978
The Scar
1948
1937
Warner Archive Collection
1951
1955
Gunmen on the Loose
1955
Deluxe Edition
1949
1950
1941
1950
1955
1948
1956
1946
1952
1949
1957
1949