6.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Susan Morris has to learn to fend for herself when she decides to escape from the urban jungle. While looking for a charming house in the country, she falls into the clutches of a band of brawny brutes. A once sweet working girl from the city, Susan is pushed to her limits and becomes a fearsome female warrior!
Starring: Debra Sweaney, Sean P. Donahue, Mike Donahue, Jerry Johnson (I)Comedy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Hell hath no fury like a woman prevented from purchasing rural land. That’s basically the vibe of 1989’s “They Call Me Macho Woman,” which pits a seemingly average person against a gang of drug manufacturers in the middle of nowhere. It’s a classic set-up for exploitation cinema, but writer/director Patrick G. Donahue doesn’t have much finesse when it comes to the actual war between good and evil. However, he does have a stunt team, with the endeavor managing to offer a few slam-bang moments of physical danger, and there’s some general oddity when it comes to the creation of tools used to take lives. “They Call Me Macho Woman” is mostly clunky, with Donahue visibly struggling to generate screen danger, but in a B-movie way, there’s fun to be had with the effort, which certainly tries to put on a violent show for viewers.
The AVC encoded image (1.85:1 aspect ratio) presentation for "They Call Me Macho Woman" is listed as "newly scanned and restored in 2K from its 35mm original camera negative." The low-budget highlights of the feature are pleasingly preserved during the viewing experience, doing well with detail, which surveys a range of skin surfaces and costuming choices. Textures are present with flesh wounds and murder weapons. Exteriors do well with the rural setting, offering depth. Interiors also retain dimension as the action heads around barns and homes. Color is alert, with distinct greenery and natural skin tones. Clothing choices bring out varied hues, and hair color is vivid. Delineation is satisfactory. Grain is film-like. Source is in good condition.
The 1.0 DTS-HD MA mix deals with the active score for "They Call Me Macho Woman," with synth accompaniment defined, but also competing with the performances at times, which appears to be an inherent issue. Intelligibility isn't threatened, with actors and their skill levels understood. Sound effects are blunt but appreciable.
"They Call Me Macho Woman" isn't polished work, with actors stumbling over their lines and production limitations clearly on view. Not helping the cause is scoring by Emilio Kauderer, who sustains tinny, amplified synth-based emphasis throughout the entire movie, reaching a point where it becomes semi-torturous to hear it. He's trying to inject thrills into a picture that doesn't have that kind of budget, but "They Call Me Macho Woman" eventually reaches its potential in the final act, watching Susan "Home Alone" the great outdoors and stock up on cabin tools to get her revenge. It's this kind of brutality that works best in the feature, helping to distract from Donahue's shortcomings as a filmmaker. He gets right to the point when it matters in the endeavor, making for a passable bottom shelf distraction.
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