6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
When the Army takes over a former asylum, they discover that some inmates are still living in solitary confinement there, and become murderous zombies.
Starring: Cindie Lou Acker, Betty Stapleford, John Kalinowski| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i (upconverted)
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 3.5 | |
| Overall | 3.5 |
1991’s “The Zombie Army” is a shot-on-video production that makes full use of its location. In this case, it’s an abandoned psychiatric hospital, with director Betty Stapleford using the facility to visualize the end of the world. Or at least the end of a handful of Army personnel ordered to establish a base where an insane young man is capable of conjuring dark magic with help from electricity. There’s no epic presented to viewers here, with Stapleford (and screenwriter Roger Searce) endeavoring to make a mess of bodies for 79 minutes, generally disregarding even a basic story to help encourage audience participation. “The Zombie Army,” which is “based upon an actual event,” plays like a highlight reel for an aspiring makeup effects team, with Stapleford more concerned about splatter than drama. For some, this will be enough. For others, seek your no-budget grotesqueries elsewhere.


The AVC encoded image (1.33:1 aspect ratio) presentation for "The Zombie Army" handles the shot-on-video production achievements of the film with some level of age. Detail isn't going to happen here, but a general sense of frame information is mostly possible, save for a few trips to a blood- spattered hallway, where things tend to get a little muddier. Makeup offerings are passably appreciable. Color isn't defined, but some feel for primaries, including the redness of blood, is available. Greenery is acceptable, along with skin tones. Source is in decent condition, with periodic points of mild damage.

The 2.0 DTS-HD MA tracks often deals with the technical limitations of the production, with microphone placement a persistent enemy to the shoot. Volume extremes are present, but nothing sounds overly distorted, with decently intelligible dialogue exchanges. Soundtrack selections are acceptably pronounced, joined by repetitive scoring cues, which deliver percussion hits. Sound effects are blunt.


"The Zombie Dead" takes a few more detours as it makes its way to a non-ending, including the tale of Kevin, a hitchhiker returning to Army service, and Sheila, his lusty driver. Stapleford treats the audience to even more real-time exploration with these two before they engage in some surprisingly softcore sex, feeding the exploitation interests of the production, but it does nothing to energize overall pace, which is rough. "The Zombie Dead" eventually concludes with confusion (Army leaders fear explaining the situation to their superiors despite ample evidence supporting the reality of a zombie war) and ridiculousness (the movie is dedicated to the bravery of armed forces, while the writing depicts them as complete idiots), making the viewing experience strictly for those interested in gore zone activity. Expecting anything more from the crude, mismanaged feature will induce a headache.

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