6.9 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A film documentarian stops at nothing to record unusual and supposedly true-to-life situations.
Starring: Philippe Leroy, Delia Boccardo, Gabriele Tinti, Giorgio Gargiullo, Luciana Angiolillo| Drama | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono
Italian: DTS-HD Master Audio 2.0 Mono
English
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 2.5 | |
| Overall | 3.0 |
1967’s “The Wild Eye” is a response to the Italian “mondo” subgenre, where filmmakers ventured around the globe to find the horrible and the odd to photograph, blurring the line between reality and irresponsibility. This type of shock value plays a key role in director Paolo Cavara’s picture, which finds actor Philippe Leroy portraying a thinly disguised version of the helmer, obsessed with finding the perfect collection of misery to help transform his latest epic.


The AVC encoded image (2.39:1 aspect ratio) presentation runs into trouble during darker encounters, showing distinct trouble with delineation and contrast, which tends to solidify the viewing experience. Mercifully, most of "The Wild Eye" is captured in the light of day, and when fully illuminated, refreshed colors stand out as needed, with bold primaries emerging on costumes, locations, and greenery. Skintones also look natural. Detail is satisfactory during facial close-ups, and textures on landmarks and environmental changes come through as intended. Source is mostly stable, with a few surges in scratching and speckling.

The 2.0 DTS-HD MA sound mix does a capable job identifying dramatic intention, with dialogue exchanges sounding clear enough to follow. Music is also provided without overt concern, reaching a degree of pleasing instrumentation that sets the weirdly jazzy mood of the feature. Atmospherics and sound effects are thick, but register without distortion. Some hiss is detected.


"The Wild Eye" does build to an especially potent finale that hopes to expose the careless nature of mondo productions, capturing soullessness on a grand scale. It's not always the most determined endeavor, periodically lost in tangents, but "The Wild Eye" hits where it counts the most, providing a condemnation of mondo habits through examples of directorial extremity.

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