7.8 | / 10 |
Users | 4.5 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A Police sergeant travels to a remote Scottish island in search of a missing girl whom the townsfolk claim never existed. Stranger still are the rites that take place there.
Starring: Edward Woodward, Christopher Lee, Diane Cilento, Britt Ekland, Ingrid PittHorror | 100% |
Mystery | 20% |
Thriller | Insignificant |
Drama | Insignificant |
Musical | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English SDH
50GB Blu-ray Disc
Three-disc set (2 BDs, 1 CD)
Region B (locked)
Movie | 4.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 4.5 |
Robin Hardy's "The Wicker Man" (1973) arrives on Blu-ray courtesy of StudioCanal. The supplemental features provided with this release include original trailers; new and exclusive video interview with director Robin Hardy; archival interview with Robin Hardy and Christopher Lee; making of featurette; feature-length audio commentary with director Robin Hardy, Christopher Lee, and Edward Woodward; restoration comparison; and a lot more. In English, with optional English SDH subtitles for all three versions of the film. Region-B "locked".
What a strange place
Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Robin Hardy's The Wicker Man arrives on Blu-ray courtesy of StudioCanal.
StudioCanal's upcoming release contains three different versions of the film: The Final Cut, the UK Theatrical Cut, and the Director's Cut. The Final Cut is placed on Disc 1, while the UK Theatrical Cut and the Director's Cut are placed on Disc 2. Please note that the screencaptures used in our review appear in the following order:
1. Screencaptures #1-19: The Final Cut
2. Screencaptures #21-24: The UK Theatrical Cut
3. Screencaptures #25-30: The Director's Cut
The following text was provided by StudioCanal:
"StudioCanal have been conducting an extensive worldwide search for film materials for The Wicker Man for the past year, including a public appeal to fans for clues as to the whereabouts of the missing original cut. Eventually, a 35mm release print was found at Harvard Film Archives which director Robin Hardy has confirmed is the cut he had put together with distributors Abraxas in 1979 for the U.S. release. This has been scanned at 4K and used to create the first ever digital restoration of the film, with Robin Hardy's guidance."
The new digital restoration and the creation of The Final Cut of The Wicker Man are guaranteed to please fans of the film. Indeed, there are dramatic improvements in every single area we typically scrutinize in our reviews. Clarity and image depth are very impressive, with the darker indoor footage in particular looking far better balanced and crisper. Contrast levels have also been stabilized. Color reproduction is greatly improved. Now there is a good range of healthy browns, greens, blues, reds, yellows, and grays. The blacks are also solid, but never appearing boosted. The new inserts are easy to identify, but the footage is indeed carefully cleaned up, stabilized and rebalanced. Depth and clarity occasionally fluctuate, but the overall quality of the inserts is very good. (See screencaptures #6 and 9). There are no traces of problematic degraining corrections. Also, sharpening adjustments compromising the integrity of the new restoration have not been applied. Predictably, The Final Cut has a very solid and very pleasing organic look. Lastly, there are no serious compression issues. Also, there are no general stability issues to address in this review.
The UK Theatrical Cut of The Wicker Man has the same basic characteristics as those addressed above. Only compression appears to be slightly less impressive.
Unlike The Final Cut and The UK Theatrical Cut, The Director's Cut of The Wicker Man is encoded with MPEG-2 and sourced from SD elements. This should not be surprising, however, as film elements for the so called Long Version of The Wicker Man are not available. Screencaptures #25-30 are from The Director's Cut.
Cuts and running times:
1. The Final Cut: approximately 93 minutes (01.33.08).
2. The UK Theatrical Cut: approximately 88 minutes (01.28.13).
3. The Director's Cut: approximately 100 minutes (01.39.41).
(Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free PS3 or SA in order to access its content).
Each of the three versions of The Wicker Man comes with an LPCM 2.0 track. StudioCanal have also provided optional English SDH subtitles for each version.
I am just as pleased with the lossless track on The Final Cut as I am with the image improvements. During the seduction dance, the clarity and especially the depth of the audio are dramatically improved. Elsewhere the period themes from Paul Giovanni's strange score are also far easier to appreciate now. There is no distracting background hiss, cracks, thumps, audio dropouts, or distortions to report in this review.
BLU-RAY DISC ONE
StudioCanal deserve a lot of credit for this very beautiful release of Robin Hardy's classic film The Wicker Man. It is very easy to see that their hard work has paid off. The new digital restoration, completed with the British director's guidance, has truly given the film a new life. Let's hope that eventually the new restoration will also be made available in North America. VERY HIGHLY RECOMMENDED.
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