7.6 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i (upconverted)
Aspect ratio: 1.40:1
Original aspect ratio: 1.33:1
English: LPCM 2.0 (96kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (96kHz, 24-bit)
None
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 2.0 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 3.5 |
When Keith Moon died on September 7, 1978 from a seemingly intentional (prescription) drug overdose (ominously at the same London location where Mama Cass Elliot had perished some years previously), many at the time thought that The Who would fold up shop and move on to some kind of other careers. Against considerable odds, the band decided to continue touring, and within just a couple of months erstwhile Faces drummer Kenney Jones had joined the supergroup, in a perhaps futile attempt to “replace” Moon. The fit was shaky at best, and Roger Daltrey for one has not been overly shy at suggesting it wasn’t much of a fit. Perhaps due to those simmering tensions, the 1982 tour from which The Who Live at Shea Stadium was culled was advertised as a farewell offering. Four years with Jones on drums had at least let the band settle into a dependable groove of professionalism, but what this concert (from the second of two nights at Shea Stadium) proves is just how energetic The Who was during this era.


The Who Live at Shea Stadium is presented on Blu-ray courtesy of Eagle Vision, an imprint of Eagle Rock Enterprises, with an AVC encoded 1080i transfer in 1.40:1. Though it may be masked slightly by the blue of the flag on the cover art, this is in fact one of Eagle Rock's so- called SD Blu-rays, an upconvert from (in this case at least) some inherently problematic standard definition video sources. The center of the image tends to be rather "squishy" at times, looking almost like it's beset with good old fashioned tracking problems, or at least like it's shimmering in some sort of quasi- mirage. This anomaly is especially noticeable in long shots, where the already blobby and blurry band members tend to waft back and forth as if behind a heat wave. Stage lighting adds some sickly yellow tones to a lot of the footage, further depleting already anemic levels of detail. There are other slight video anomalies like minor fringing and ghosting that crop up from time to time. Black levels are generally very deep, however, and contrast is also generally consistent throughout the presentation.

No such problems attend either of the tracks featured on this Blu-ray, a lossless DTS-HD Master Audio 5.1 surround track and an uncompressed LPCM 2.0 stereo offering. The 5.1 track is significantly more spacious sounding than the stereo iteration, with a much better representation of the band's sometimes massed mid- and lower range voicings. Despite this uptick in lower frequencies, Daltrey's soaring vocals are only very intermittently compromised in the overall mix. The stereo mix presents a much narrower accounting of the music, but prioritization may appeal to some listeners a bit more in this version. Both tracks offer sterling fidelity and wide dynamic range.

- Substitute
- I Can't Explain
- My Generation
- A Man is a Man
- 5:15

The Who Live at Shea Stadium is an incredible historical document that offers a look at a band on the verge of disbanding (at least for a little while), but still able to generate awesome amounts of energy while losing little in the way of nuance. Vocally and instrumentally the band is in top form here, marauding through an extremely long and satisfying set list. As with many of the other Eagle Rock SD Blu-rays, video quality here is fairly problematic, and so this may best be accepted as an "audio Blu-ray" with a lackluster video component. With that understanding in mind, The Who Live at Shea Stadium comes Recommended.

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