6.6 | / 10 |
Users | 3.5 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A boy finds a gun in the rubble of a destroyed building that turns out to be a clue in a ten-year-old murder case.
Starring: Lizabeth Scott, Jon Whiteley, Herbert Marshall (I), Steve Cochran (I), George Cole (I)Thriller | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 0.0 | |
Overall | 3.5 |
Unexploded ordnance from battles as long ago as World War I occasionally ends up making headline news when, for example, construction projects dig down to discover the potentially active remains of a bomb or something smaller like an unpinned grenade that never detonated for whatever reason. There’s a moment in the opening sequence of The Weapon where it’s not quite clear whether little Erik Jenner (Jon Whiteley) has somehow gotten trapped in the aftermath of just such a discovery and explosion. He’s in an obviously bombed out ruin, and there’s enough dust and debris floating around him to suggest something untoward has just happened. But as it turns out, The Weapon is actually set several years after World War II, in a London still rife with the detritus of the German Blitz. Erik has been playing in a collapsed building and comes across a rather startling discovery—not unexploded ordnance, but an actual pistol lodged within a piece of brick. The young boy is obviously excited by his find and calls to his friends, exiting the wreckage to be confronted by a Lord of the Flies-esque consortium of little boys who want the gun for themselves. A scuffle ensues and horrifyingly the gun discharges, shooting a little boy who quickly collapses to the street. Erik is certain he’s killed his friend, and hightails it out of there as adults start pouring in to see what’s happened. The Weapon takes it own sweet time (at least for a certain class of concerned parent) to divulge that the victim actually is not dead, simply wounded, but in the meantime Erik is out there on the cold, still wartorn streets of London by himself, while a quick ballistics test of the bullet reveals that the gun was used in a decade old cold case that involved the United States military. Suddenly, there’s a whole investigative apparatus built up around the shooting, since both British and American law enforcement want to get their hands on the gun, which means getting their hands on the missing Erik.
The Weapon is presented on Blu-ray courtesy of Olive Films with an AVC encoded 1080p transfer in 1.78:1. While elements utilized for this transfer have perhaps more than their fair share of issues, mostly involving things like minus density and scratches (see screenshot 10), overall this presentation looks very pleasing. There's a slight disconnect in sharpness and clarity, as well as grain structure, between what I assume may have been second unit location shooting (as in screenshot 1) and studio bound sequences (screenshot 2). Contrast is generally a bit stronger in the studio scenes, though is never overly problematic in any case. Grain is fairly heavy, spiking somewhat in outdoor location scenes. Close-ups reveal decent detail but this is not a razor sharp presentation. As with most Olive releases, a "hands off" approach to the elements delivers a nicely organic if at times slightly rough looking presentation.
The Weapon lossless DTS-HD Master Audio 2.0 mono mix capably support what is essentially a dialogue driven piece that has occasional underscore and sound effects mixed in. The mix is just slightly "dry" sounding to my ears, something that adds a bit of boxiness to score elements, but dialogue comes through just fine, and there's no overt damage to cause worry or concern.
No supplements are offered on this Blu-ray disc.
The Weapon completely avoids any intimation that lack of gun safety played into the accident which begins the film in a somewhat horrifying manner, and instead makes the primary focus the twin unfolding and interconnected hunts for Erik and the mystery murderer. Performances are generally excellent, with Maurey and little Whiteley real standouts. (Whiteley was one of only two recipients of the Juvenile Academy Award in the 1950s for The Little Kidnappers. The other recipient was his co-star in that film, Vincent Winter, in the only incidence of the Academy offering two Juvenile Awards in the same year. Only one further winner, Hayley Mills in 1960, would be announced before the award was discontinued.) Guest offers a really fascinating look at early 1950s era London, and it's a somewhat unsettling view. Technical merits are good, if occasionally problematic. Recommended.
1974
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