6.9 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Two cold-blooded career criminals kidnap a surrogate, expectant Mother and find themselves in an escalating mayhem.
Starring: Ryan Phillippe, Benicio del Toro, Juliette Lewis, Taye Diggs, Nicky Katt| Crime | Uncertain |
| Thriller | Uncertain |
| Dark humor | Uncertain |
| Drama | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 0.0 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
Note: June's releases from boutique etailer Lionsgate Limited include a 4K/1080 debut (Freaky Tales 4K) in kitsch-tastic VHS clamshell packaging, a Vestron Video Collector's Series release in 1080
only (All of Me), and this release, which in some ways is in
keeping with many Lionsgate releases at least in terms of its SteelBook packaging, but which is itself kind of a "one off", in that in this case no
previously
released 1080 disc is included in the package.
Christopher McQuarrie won a well deserved Academy Award for writing The
Usual Suspects, but evidently like a lot of Academy Award winning writers, what he really wanted to do is to direct, with The
Way of the Gun being his first feature in that role. The result is intermittently energetic, but probably will not keep people guessing the way the
circuitous tale of Keyser Söze and/or Roger "Verbal" Kint did in the Bryan Singer film. And in fact probably the biggest let down with regard to
The Way of the Gun is that, unlike the decidedly sui generis The Usual Suspects, The Way of the Gun is not only
more formulaic, it, as my colleague Ken Brown suggested in his review of the old 1080 release (see below), might be considered warmed over
Tarantino by some.


Note: This release does not include a 1080 Blu-ray, so these screenshots are taken directly from the 4K UHD disc and downscaled to 1080
and
SDR. Color space in particular is therefore not accurate. Since this release does not include a 1080 disc, the 2K video score above has been
intentionally left blank.
The Way of the Gun is presented in 4K UHD courtesy of Lionsgate's Lionsgate Limited etailer with an HEVC / H.265 encoded 2160p transfer
in
1.85:1. One place where Lionsgate Limited might consider upping their ante for collectors and technical enthusiasts in particular is by giving more
information on their 4K transfers, but I could find nothing offered here. Ken wasn't especially enthused about Lionsgate's old 1080 release (so maybe
it
is a good thing it's not offered here), and he specifically mentioned DNR as an issue. For better or worse, there is a grain field
clearly observable throughout this presentation, though I'm frankly not sure that's always a good thing. While there's some appealingly
textured organic moments on display, grain is quite frequently either gritty and black or mottled and yellow, and for those who are prone to
experiment
with freeze framing, there are some very odd looking moments where the combination of grain and some nicely suffused background tones add up to
some near pixellating or even macroblocking. Not all of this is of course noticeable in motion, though I will say that the black gritty grain in particular
tends to add a somewhat dirty look to things, especially against brighter outdoor skies. All of this said, this transfer's biggest plus is probably a nice
accounting of detail levels and at least some occasional luster from the HDR / Dolby Vision grades. This is not a film that really exploits a candy
coated
palette, but some of the outdoor material in particular looks nicely suffused. While I don't have the old 1080 disc to do a side by side comparison,
my
hunch is some of the cooler blue to teal tones in particular probably resonate more strongly here than in the old presentation.
Note: I had two very brief and passing issues with this disc that might just be "ghosts in the machine". I had a bit of an issue getting audio
to engage when I first played the disc, and had to cycle through all three choices twice (two commentary tracks) before the Atmos track kicked in. I
then had the disc freeze probably around halfway through, which actually froze my player (I had to force stop everything). Neither anomaly
reoccurred when I started the disc the second time after the freeze.

Ken also wasn't especially enthused about the old 1080 disc's DTS-HD Master Audio 7.1 mix, but I found this new 4K disc's Atmos track to be nicely immersive, if perhaps understandably not at the consistent "turn it up to 11" ambience of more contemporary action surround mixes. Ken had reservations about a number of items on the old track, but I found both (admittedly occasional) LFE and (somewhat but less occasional) rear channel placement in particular to offer memorable moments. The Atmos speakers probably get their most noticeable workout in the absolutely crazy quilt finale, where everything descends into chaos. This final sequence is also another good example of side and rear channel engagement. I frankly didn't find Joe Kraemer's score to be innovative, but it's enjoyable, and it's fantastic to see music highlighted in some of the supplements (see below). Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.


I am frequently inundated with private messages from readers asking for details when either exclusive Amazon SteelBooks or now these Lionsgate Limited offerings are announced by Lionsgate, and the Lionsgate Limited releases in particular seem to be throwing prospective consumers for a loop, since other than the very imprint branding itself there can be a huge variety in terms of content, format and packaging. This release is both kind of "standard" (i.e., SteelBook packaging) and "unique" (i.e., 4K UHD disc only). The 4K UHD presentation seems to have addressed some of the issues Ken had with the old 1080 version, but may have introduced some others, while the new Atmos mix is often quite propulsive and enjoyable. This release offers a more generous supply of bonus items than the old 1080 release. With caveats noted, Recommended.

2006

2009

2012

The Dirty Harry Collection
1976

2016

2014

2005

Hodejegerne
2011

1999

2014

2019

2015

Collector's Edition
2012

2006

The Dirty Harry Collection
1973

2008

2012

1998

Standard Edition
1979

2015