6.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A man on the verge of a promotion takes a mysterious hallucinogenic drug that begins to tear down his reality and expose his life for what it really is.
Starring: Justin Long, Donald Faison, Sheila Vand, Katia Winter, Ronnie Gene Blevins| Thriller | Uncertain |
| Sci-Fi | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 3.5 | |
| Overall | 4.0 |
“The Wave” approaches ideas on conscience and karmic balance through the cinematic reverberations of psychedelic drugs. Director Gille Klabin is prepared to take the audience on a special mind-bending ride, armed with distinct visuals and doses of CGI, while instructing star Justin Long to capture the finer points of mental and physical alarm as his character is sent through time and space to deal with his issues as a human being in a dangerous position of power. “The Wave” has a simple message of personal inventory to study, and Klabin tries to capture audience attention through bursts of chaos, hoping to wind up the feature as a manic sprint through different realities. It’s not an especially ambitious production, and not entirely compelling either, but it does have a certain energy at times to keep it going, with Long working hard to communicate the inner melt of a troubled man.


"The Wave" does quite a lot with its visual presence, often weaving throughout unreality as the main character deals with his drug-induced problems and bending of time. The AVC encoded image (2.38:1 aspect ratio) presentation manages the feature's heavy tinkering satisfactorily, offering a healthy level of detail that preserves facial particulars, exploring subtle and broad scenes of panic. CGI-laded trips also communicate frame particulars, with general smoothing and distortion noted, along with textured, star-bursting skies. Costuming remains fibrous, working with thicker business attire and grimy underworld outfits. Colors are a highlight, often working with the rainbow world of the titular high, capturing the mesmerizing hues. Primaries are just as compelling, with real world office decoration and street visits intact. Skintones are natural. Delineation isn't troublesome. Compression issues are periodic, with banding creeping into view.

The 5.1 Dolby Digital sound mix is working very hard to immerse listeners into the world of "The Wave." While it's a lossy track, it's putting in some effort to create distinct differences between Frank's levels of consciousness. Surrounds are active throughout, managing washes of psychological distortion with compelling separation and panning effects. Atmospherics are direct, sustaining club visits, naturalistic elements, and otherworld meetings. Dialogue exchanges are sharp, capturing dramatic offerings with an even sense of engagement, losing nothing to argumentative behavior. Scoring and soundtrack cuts are direct, hitting with a louder volume and heavier beats, contributing an inviting synth throb.


"The Wave" tries to keep a sense a humor, but it's primarily interested in short bursts of mayhem. Frank gets in deep during his quest to get the drug out of his system, eventually taking even more illegal substances, enraging dealer Ritchie (Ronnie Gene Blevins, overacting like crazy), which commences something of a chase and a series of desperate decisions. Klabin is striving to keep the adrenaline flowing, peppering the endeavor with scenes of mind-bending encounters, and it's all trying to get somewhere profound, with Lucas pushing Frank to deal with his misdeeds as he's caught in a drug-induced blender. "The Wave" doesn't reach such a pristine state of enlightenment, often caught massaging the ugly details, but its heart is in the right place, dealing with acts of responsibility and clarity with intermittent success.
(Still not reliable for this title)

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