6.6 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Bill, Martha and their little child Hal are spending a quiet winter Sunday in their cosy house when they get an unexpected visit from Mike Nickerson and Tony Rodriguez. Mike and Tony are old acquaintances of Bill; a few years back, in Vietnam, they were in the same platoon. They also became opposed parties in a court martial - for a reason that Bill never explained to Martha. What happened in Vietnam, and what is the reason for the presence of Mike and Tony ?
Starring: James Woods, Patrick McVey, Steve Railsback, Chico Martínez, Patricia Joyce| Thriller | Uncertain |
| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 4.5 | |
| Extras | 2.0 | |
| Overall | 4.0 |
Elia Kazan's "The Visitors" (1972) arrives on Blu-ray courtesy of Kino Lorber. The supplemental features on the release include new audio commentary by critics Kat Ellinger and Martyn Conterio and vintage trailer. In English, with optional English SDH subtitles for the main feature. Region-A "locked".


Presented in its original aspect ratio of 1.85:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Visitors arrives on Blu-ray courtesy of Kino Lorber.
It is pretty easy to tell that at some point The Visitors was remastered because its visuals have strong organic qualities. Yes, they could look a bit rough at times too, but quite a bit of this roughness can be misleading as well. Why? There are a few areas where stability can be improved and density levels strengthened. However, there are inherited fluctuations, too. For example, a lot of the indoor footage features natural and restricted lighting, so delineation, clarity, and depth tend to fluctuate. Also, at the moment the film has the type of appearance I would expect to see from a master that has been struck from an interpositive, which means that in a few areas shadow nuances can be somewhat inconsistent, too. Color balance is very good. All primaries and supporting nuances are lush and healthy, nicely balanced as well. A few lighter supporting nuances can be more convincing, but there are no troubling anomalies. Also, I spotted a few blemishes, but there are no large cuts, debris, warped or torn frames to report. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).

There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
The film does not have a diverse soundtrack. All meaningful dynamic contrasts are produced in a natural environment without any serious action footage. There is no prominent music material either. Unsurprisingly, dynamic intensity is very modest. All exchanges are clear, stable, and easy to follow. However, from time to time, some minor thinning can be noticed.


It is easier to treat the enemy humanly, as those who have never fought and won a war require, when it is already defeated. But if you are dropped in the middle of a raging war, who would you trust with your life? The man next to you who believes the enemy must be defeated at all cost and therefore cannot be spared any of the ugliness and pain that war produces, or the man on the opposite side who insists that the enemy must be treated humanly? And how do you always know who your enemy is, what it looks like, what is going on in his head? If you choose to treat the enemy humanly, will you be treated the same way? If your 'humanity' is exploited by the enemy as a weakness and many of your brothers in arms perish while losing a battle you could have easily won, what are you? A humane soldier or a delusional coward responsible for the death of men that should be alive? Elia Kazan made The Visitors during the final and most intense phase of the Vietnam War. It channels pure anger coming from different sides, wrapped with timeless questions about what it means to fight and survive a war. It becomes as disturbing as Sam Peckinpah's Straw Dogs, but it does not have the same dominant exploitative genes. HIGHLY RECOMMENDED.

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Warner Archive Collection
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