5.4 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
Paula Parkins is the teenage daughter of wealthy parents whom don't seem to make time for her, so she looks for thrills as the leader of her all girl gang who steal, rob, and rape young men.
Starring: Jean Moorhead, Barbara Weeks, Art Millan, I. Stanford Jolley, Timothy FarrellFilm-Noir | 100% |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
Movie | 2.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 2.0 |
The Best Years of Our Lives documented the bittersweet reality of what really should have been an unqualified “happily ever after” moment, namely the return back home by World War II veterans who had survived the carnage. It was part of the Academy Award winning William Wyler masterpiece’s elegance, though, that it quite clearly depicted some of the simmering discontent wafting through the general zeitgeist of the era, despite the fact that the fighting had ended and peace supposedly could reign forevermore (yeah, right — we know how that one worked out). But even taken with its melancholic aspects, The Best Years of Our Lives was a kind of cinematic benchmark that seemed to suggest that happiness was available, despite various obstacles being thrown in the path by the vagaries of fate. Of course, that was before the Baby Boom set in, and while it doesn’t officially deal with those born after World War II, by the time films like Blackboard Jungle and Rebel Without a Cause came along (both notably in 1955), it was becoming evident that while vets and their spouses might be putting the pieces back together again, their kids were just as busy deconstructing everything, as if to say, “You thought World War II was bad?” The rise of so-called juvenile delinquency became something of a cinematic staple in the 1950s, and there are any number of films which traverse more or less the same general territory, with out of control teenagers manifesting behaviors which are often blamed squarely on under involved parents. In fact 1958’s The Party Crashers had a tagline asking, “Who are the delinquents — kids or their “respectable” parents?” (For those interested who can track down a copy, The Party Crashers has some interest in the casting department, being the final feature film of both Frances Farmer and Bobby Driscoll, here playing mother and son.) The Violent Years is in some ways very much in line with some of its “JD” siblings from this same general timeframe, but as might be gleaned from the fact that it was written by the inimitable Edward D. Wood, Jr. (that’s Ed Wood, in case some aren’t aware), the film has an unabashedly gonzo quality that may recommend it to certain jaded types who may have seen the film skewered on an episode of Mystery Science Theater 3000.
The Violent Years is presented on Blu-ray courtesy of the American Genre Film Archive with an AVC encoded 1080p transfer in 1.78:1. AGFA's insert booklet contains the following information on the transfers of the two films included on this disc:
The Violent Years is presented in its original aspect ratio of 1.85:1 (Note: as can be seen in the screenshots accompanying this review, the transfer is actually in 1.78:1). This new digital transfer was created in 4K resolution on a Lasergraphics film scanner from the original 35mm camera negative.It's perhaps notable that there's no information in the above verbiage about restoration efforts (typically including the rote phrase of eliminating or minimizing thousands of instances of dirt, debris and other damage), for The Violent Years looks very much like a raw scan without much "tweaking" having been done. As such, the "basic data" here looks fine, with a generally nicely organic presentation and at least decent detail levels, but there is still a lot of damage to be seen. There are a number of different issues that crop up with fair regularity, including relatively minor issues like scratches, but then moving up the damage scale to things like chunks of frames missing, or indeed even entirely missing frames. This pretty recurrent damage may only add to the "charm" of the viewing experience for some viewers. There are noticeable variances in sharpness, brightness and contrast throughout the presentation, but the single biggest hurdle for some videophiles will probably be the recurrent age related wear and tear.
Anatomy of a Psycho is presented in its original aspect ratio of 1.85:1 (Note: this film, too, is also presented in 1.78:1). This new digital transfer was created in 2K resolution on a Lasergraphics film scanner from an original 35mm theatrical print.
Color grading was performed with DaVinci Resolve. Every effort has been made to retain the original theatrical experience of the films. The monaural soundtracks were remastered using Pro Tools HD. The digital transfers were performed by the American Genre Film Archive in Austin, TX.
The Violent Years features a DTS-HD Master Audio 2.0 mono track that may not have quite the prevalence of age related wear and tear as the video element does, but which still has a somewhat shallow and boxy sound throughout. Part of the film's weird allure is the near monotone that several characters repeatedly speak in, and so the film's whole soundtrack has a kind of flat aspect without a ton of "affect". There are occasional brief "jumps" here keyed to things like missing frames, but on the whole, everything comes through with acceptable if never outstanding quality.
The Violent Years is Grade Z material, but as with so many other films that had at least some input from Ed Wood, it has a kind of delirious quality that will appeal to certain connoisseurs of the outré. To call the performances wooden is maybe an insult to trees, but the basic plotline and some of the vignettes are amped up to presentational degrees that may only become more hilarious to some viewers due largely in part to the performance acumen (or lack thereof) of the actors. AGFA offers a presentation that can't overcome some deficiencies in the source, but they've also provided some appealing supplements to help sweeten the pot. Technical merits have (understandable) hurdles at times for those considering a purchase.
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