6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A trilogy of stories of well-off youths who commit murders. In the French episode, a group of high school students kill one of their colleagues for his money. In the Italian episode, a university student’s involved in smuggling cigarettes. In the English episode, a lazy poet finds the body of a woman on the downs, and tries to sell his story to the press.
Starring: Eduardo Ciannelli, David Farrar, Patrick Barr, Fay Compton, Raymond LovellForeign | 100% |
Drama | 66% |
Romance | 9% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.37:1
Italian: LPCM 2.0
English
25GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 2.5 | |
Audio | 3.5 | |
Extras | 3.0 | |
Overall | 3.0 |
Released in 1953, “The Vanquished” presented Michelangelo Antonioni as a work-in-progress, perfecting on his directorial skills as he experimented with tone, theme, and style. Curious about the post-war effect on the youth of the day, the helmer created three chapters (“Italy,” “France,” and “England”) to explore the plague of violence, with callousness becoming all the rage, filling headlines with tales of murder and remorselessness. Over the course of three short stores, Antonioni wasn’t looking to solve this crisis of conscience, only to dissect it, inspecting passionate characters caught up in ugly business.
Although it's billed as a "restoration," the VC-1 encoded image (1.35:1 aspect ratio) presentation is more of a patchwork quilt. Assembled from a variety of source materials, "The Vanquished" isn't visually consistent, with varying levels of damage on display, while intensity of flicker, debris, and rough reel changes also provide a bumpy viewing experience. Filtering is present, with an absence of grain making the image very clean and semi-soft, diluting fine detail. Contrast is satisfactory, never remarkable. Pockets of noise, haloing, and banding are found. Perhaps this is the best condition "The Vanquished" can manage without a full restoration budget, but what's here doesn't retain filmic texture, often looking like a television program.
The 2.0 LPCM mix (in Italian and original country-specific audio) supplies the essentials without any overt distortion, with hiss kept to a bare minimum. Dubbed dialogue exchanges are thick but expressive, sustaining intended emotional highs and lows, while scoring and soundtrack offerings are smoothly worked in the flow of things. There's limited power here, but intended stillness and passionate character interaction are retained.
Although the presentation suffers, "The Vanquished" remains potent for Antonioni purists, while the addition of the full, uncut "Italy" sequence supplies an interesting look at the censorship of the day.
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