7.9 | / 10 |
Users | 5.0 | |
Reviewer | 4.5 | |
Overall | 4.8 |
A young man embarks on an obsessive search for the girlfriend who mysteriously disappeared while the couple were taking a sunny vacation trip, and his three-year investigation draws the attention of her abductor, a mild-mannered professor with a clinically diabolical mind.
Starring: Gene Bervoets, Bernard-Pierre Donnadieu, Johanna ter SteegeForeign | 100% |
Psychological thriller | 29% |
Mystery | 13% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.66:1
French: LPCM Mono (48kHz, 24-bit)
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 5.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 4.5 |
Director George Sluizer's "The Vanishing" a.k.a. "Spoorloos" (1988) arrives on Blu-ray courtesy of Criterion. The supplemental features on the disc include an original trailer for the film; exclusive new video interview with the Dutch director; and new video interview with actress Johanna ter Steege. The release also arrives with a leaflet featuring an essay by critic Scott Foundas. In Dutch and French, with optional English subtitles for the main feature. Region-A "locked".
"You must make a decision"
Presented in an aspect ratio of 1.67:1, encoded with MPEG-4 AVC and granted a 1080p transfer, George Sluizer's The Vanishing arrives on Blu-ray courtesy of Criterion.
The following text appears inside the leaflet provided with this Blu-ray release:
"This new digital transfer was created in 4K resolution on a wet-gate ARRISCAN film scanner from the 35mm original camera negative. Thousands of instances of dirt, debris, scratches, splices, and warps were manually removed using MTI's DRS, while Digital Vision's Phoenix was used for small dirt, grain, noise management, flicker, and jitter. The original monaural soundtrack was remastered at 24-bit from the 35mm magnetic track. Clicks, thumps, hiss, hum, and crackle were manually removed using Pro Tools HD, AudioCube's integrated workstation, and iZotope RX 3.
Scanning: L'Immagine Ritrovata, Bologna.
Colorist: Lee Kline, New York."
The new 4K restoration has produced marvelous results. Indeed, there are drastic improvements in every single area we typically address in our reviews, from image depth and clarity to contrast stability to color reproduction and fluidity. All close-ups boast outstanding depth and clarity. The most striking visuals are during the daylight footage, but even areas of the film where natural light is restricted look exceptionally strong (see screencaptures #3 and 16). During the wider panoramic shots fluidity is excellent (see screencaptures #4 and 7). Because of the high-quality scanning, grain is exceptionally well distributed and consistently appears beautifully resolved. There are no traces of sharpening corrections. Color reproduction is outstanding -- there is a wide range of stable and strikingly healthy colors (a quick comparison with the old R1 DVD release immediately reveals all sorts of different format and encoding limitations that have been completely eliminated on the Blu-ray release). Lastly, overall image stability is excellent. To sum it all up, this is one of the best technical presentations that I have seen from Criterion this year. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free PS3 or SA in order to access its content).
There is only one standard audio track on this Blu-ray release: Dutch/French: LPCM 1.0. For the record, Criterion have provided optional English subtitles for the main feature.
There is an excellent range of nuanced dynamic and Henny Vrienten's score easily breathes in all the right places. Balance is excellent -- there are areas of the film where dynamic movement is quite flexible, but there are no balance anomalies. The dialog is clean, stable, and exceptionally easy to follow. For the record, there is no crackle, pops, audio dropouts or distortions to report in this review. The English translation is excellent.
What makes George Sluizer's The Vanishing so fascinating to behold -- aside from the spectacular performances and tremendous atmosphere -- is its ability to keep the viewer in a guessing mode literally until the final credits roll, despite the fact that the viewer is given all the needed information to logically solve its mystery. Indeed, it is a strikingly intelligent and genuinely terrifying thriller which once seen is absolutely impossible to forget. The Vanishing has been recently restored in 4K and looks magnificent on Blu-ray. In fact, together with Insomnia I consider it one of the best looking films in Criterion's Blu-ray catalog. VERY HIGHLY RECOMMENDED.
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