7.5 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
The emperor dispatches an officer and a small band of men to deal with pirates.
Starring: Feng Hsu, Ying Bai, Roy Chiao, Sammo Kam-Bo Hung, Chia-Hsiang WuForeign | 100% |
Drama | 24% |
Martial arts | 20% |
Period | Insignificant |
Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Mandarin: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 0.0 | |
Audio | 3.5 | |
Extras | 5.0 | |
Overall | 4.0 |
Tony Rayns gives another interesting history lesson on a supplement included on this disc, but if part of that lesson surrounds the intrigue of late Ming Dynasty machinations embroiled with interloping Japanese, Rayns also perhaps intentionally discusses another bit of "warfare", albeit this time in the Hong Kong vs. Taiwan film industries, and specifically with regard to some Hong Kong rivalry between Shaw Brothers and Golden Harvest vis a vis the "career trajectory" of director King Hu. As Rayns (and, in passing, also commentator Frank Djeng) gets into, Hu was first hired by the Shaw Brothers in Hong Kong as a set decorator, but soon matriculated to other "roles", including rather appropriately with regard to that particular term as an actor. He apprenticed under Li Han-Hsiang, eventually earning the right to direct his own features, which resulted in Come Drink with Me (the link points to a nicely appointed Blu-ray release from Arrow, one which also includes more "edumacation" via a Tony Rayns commentary track). When the success of Come Drink With Me didn't lead to "proper" recognition of Hu by the folks at Shaw Brothers, Hu simply up and left the fold, following Li Han-Hsiang to Taiwan, where Hu's Dragon Inn and A Touch of Zen were shot. Dragon Inn was something of a cash cow and box office bonanza, but A Touch of Zen was initially not a huge success, until it suddenly invited reappraisal when it perhaps unexpectedly won the Technical Grand Prize at Cannes (along with being in the running for the Palme D'Or). All of this left Hu with a perhaps enviable reputation but still not a lot of opportunities, which ultimately led to a two film deal back in Hong Kong with Golden Harvest, then seen as a kind of "upstart" that was suddenly challenging the mighty Shaw Brothers. Rather interestingly in terms of the nuts and bolts of how these deals are made, Golden Harvest retained rights for The Fate of Lee Khan, while Hu was granted ownership of The Valiant Ones, a decision which according to Rayns did lead to some occasional cash infusions for Hu in the ensuing years.
Note: Screenshots are sourced from Eureka! Entertainment's standalone 1080 release of the film. This release does not include a 1080 disc/presentation, and so the 2K video score
above has been intentionally left blank.
The Valiant Ones is presented in 4K UHD courtesy of Eureka! Entertainment's Masters of Cinema imprint with an HEVC / H.265 encoded
2160p
transfer in 2.35:1. The back cover of this release offers "digital restoration of the original negatives gifted by director King Hu to the Hong Kong Film
Archive", while a prefatory text card before the feature presentation offers a bit more information, as follows:
In 1996, director King Hu gifted the 35mm original negative and soundtrack negative of The Valiant Ones to the Hong Kong Film Archive for permanent preservation.Considering some of the foregoing verbiage, the results here are at times near miraculous, especially with regard to an often lustrous palette and lack of any really substantial age related wear and tear, but this is another 4K UHD presentation that can boast some definite improvements from a simultaneously released 1080 version while also probably pointing up a few passing variances more clearly than the 1080 version does. The biggest uptick to my eyes was the saturation of the palette, though rather interestingly this version offered an at least minimally more noticeable skewing toward brown in some of the flesh tones, and some of the outdoor material also was arguably a bit cooler than in the 1080 version, HDR / Dolby Vision notwithstanding. HDR / Dolby Vision probably aids in some of the blue day for night sequences, providing at least a bit more shadow detail. Grain is quite heavy, especially in the optically composited early ping ponging between archival illustrations and character introductions, but on the whole resolves rather well. Some fairly wide variances in densities, clarity and fine detail levels are more noticeable in this version than in the 1080 version.
The materials had numerous instances of damage, including loose splices and torn sprocket holes. The colour dyes in the emulsion of the original negative had also faded. However, the picture quality was considered to be in overall good condition.
The elements were painstakingly cleaned and repaired, and the colours graded digitally based on a 35mm print that had been colour timed using the original timing sheets.
In 2017, the Archive performed a 4K digital scan on the original negative and soundtrack negative.
In 2020, Italy's L'Immagine Ritrovata Asia laboratory was used to complete a 4K digital restoration. The restoration project included the careful removal of scratches, spots and instances of flickering, as well as digital colour grading. Background noise in the audio was also reduced.
The Valiant Ones features LPCM Mono audio in the original Mandarin. The track definitely shows some boxiness and a bit of brightness bordering on brashness in the highest frequencies (most noticeable in some of the score), but there are no really pervasive signs of damage. Some of the cool percussive scoring combined with sound effects are very effective and resonate decently, if again in a somewhat boxy manner. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
As is discussed in some of the supplements included on this release, The Valiant Ones is often considered to be Hu's last "real" wuxia film, and as such it may be appropriately elegiac but it's also rather breathtakingly gorgeous. Whatever career challenges Hu may have been facing at this particular juncture in his long and varied career don't ever really show on screen. Technical merits are somewhat variable, probably more noticeably so in terms of video on this 4K version when stacked up against the 1080 version, but are still generally solid. The supplements are exceptional. Recommended.
迎春閣之風波 / Yíng chūn gé zhī fēng bō
1973
Kong shan ling yu
1979
Du bi dao / Duk bei do / 獨臂刀
1967
Chi jiao xiao zi / Chik geuk siu ji / 赤腳小子
1993
Super Dragon / Warlord / Qian dao wan li zhu
1977
Liu xing hu die jian / 流星蝴蝶劍
1976
影 / Ying
2018
洪拳大師 / Hung kuen dai see
1984
Liu A-Cai yu Huang Fei-Hong
1976
柔道龍虎榜 / Yau doh lung fu bong
2004
In the Line of Duty | Huáng jiā zhŕn shě | Wong ga jin si | 皇家戰士 | 2K Remastered
1986
Zhong Kui niang zi / 鍾馗娘子
1971
Tian ya ming yue dao / Tin ngai ming yuet do / 天涯明月刀
1976
Deep Thrust / Tie zhang xuan feng tui / 鐵掌旋風腿
1972
Ai nu / 愛奴
1972
Xin du bi dao / Sun duk bei do / 新獨臂刀
1971
Zhui hun biao / Chui wan biu / 追魂鏢
1968
Dragon on Fire / Kuai quan guai zhao / 快拳怪招
1978
Mission for the Dragon / Ying quan / Maegwon / 鷹拳
1979
合氣道 / He qi dao / Lady Kung Fu
1972