6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
A young drifter arrives in a rural town seeking the whereabouts of the mother she never knew. When she becomes sexually involved with an emotionally fragile waitress, she exposes the secret of her mother's disappearance and incites the wrath of the girl's overprotective father.
Starring: Christen Orr, Hannah Fierman, William Katt| Horror | 100% |
| Drama | 9% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM 2.0
None
50GB Blu-ray Disc
Single disc (1 BD)
Region A, B (C untested)
| Movie | 1.5 | |
| Video | 4.0 | |
| Audio | 2.5 | |
| Extras | 2.5 | |
| Overall | 3.0 |
“The Unwanted” is inspired by “Carmilla,” an 1872 Irish novella about vampirism that predated Bram Stoker’s “Dracula.” A brew of lesbianism and domestic dysfunction, the picture is certainly ambitious, with director Bret Wood cranking up the Southern Gothic atmosphere to the best of his ability, filling the feature with smoke, shadows, and bloodletting. Unfortunately, “The Unwanted” can’t shed its amateurish execution, with stiff performances trying to make sense of a confused screenplay, while editing woes and budgetary restraints tend to muzzle anything of worth in the effort.


The AVC encoded image (1.78:1 aspect ratio) presentation looks normal for an HD-shot feature. Sharpness is impressive, bringing out incredible detail on faces, with Katt's creases highlighted and Fierman's bulging eyes offering a reflective surface. Textures on sets and locations are also welcoming. Colors aren't emphasized, but what's permitted to break through is treated respectfully, showing stability. Delineation has its struggles with evening encounters, solidifying on occasion. A minor amount of banding is detected as well.

Confusing is the 2.0 LPCM sound mix, which contains almost no secure balance between music and voices. Volume riding is required throughout the listening experience, with blaring soundtrack cuts unleashed without warning, while dialogue exchanges are impossibly quiet, frequently threatened by atmospherics, which are unusually amplified. The track is weird to begin with, with interiors retaining crisp exterior noise, so perhaps the mix never had a fighting chance to arrange its spookiness.


"The Unwanted" snakes through flashbacks, dreamscapes, and desires, biting off way more than it can chew with its limited budget and clouded casting imagination. All this flesh and sexuality feels utterly cold to the touch, while dramatic encounters fall flat as the story struggles for clarity, often pushed aside entirely so Wood can indulge his interests in horror without ever earning the carnage.
(Still not reliable for this title)

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