7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
After surviving a flood as an infant, the buoyant Molly Brown sets out to find her way in life. She assures a saloon owner she can sing and play piano and before long becomes the bride of up-and-comer Johnny Brown. After throwing a disastrous mixer for Denver society folks and a few overseas dignitaries, Molly flees to Europe -- only to return on the ill-fated Titanic.
Starring: Debbie Reynolds, Harve Presnell, Ed Begley, Jack Kruschen, Hermione BaddeleyMusical | 100% |
Drama | Insignificant |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.35:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 1.0 | |
Overall | 3.0 |
There was more backstage drama behind The Unsinkable Molly Brown than ended up in the final
product onscreen. Both MGM and director Charles Walters (Easter Parade) wanted Shirley
MacLaine for the lead, but she was precluded from taking it by contractual obligations to
producer Hal Wallis. Over the private objections of the director and the public—very
public—complaints of MacLaine, the part went to Debbie Reynolds, who proceeded to have the
last laugh by anchoring the year's third highest-grossing film and scoring an Oscar nomination to
boot. MacLaine certainly could have handled the part, but Molly Brown owes much of its success
to Reynolds, whose boundless energy brought a semblance of life to a role that was more
caricature than character.
Molly Brown was the second musical from songwriter Meredith Willson, who spent much of his
career trying to equal the triumph of his first creation, The Music
Man. Of Willson's later works,
Molly Brown was by far the most successful, but it has not endured. Unlike The Music Man,
which has been twice revived on Broadway, Molly Brown hasn't been seen on The Great White
Way since it's first production closed in 1962.
The Warner Archive Collection is adding Molly Brown to its ever-expanding roster of musicals
on Blu-ray. As usual with WAC, the presentation is first rate. The film itself is an acquired taste.
The Unsinkable Molly Brown's cinematographer, Daniel L. Fapp, an Oscar winner for West Side Story, was also nominated for this film's rich widescreen imagery. For its 1080p, AVC-encoded Blu-ray, the Warner Archive Collection has newly scanned a recent interpositive at 2K, followed by extensive color correction and cleanup to repair damage to the negative caused by its use as a source of release prints. The result is a detailed image that showcases the film's lavish costumes and production design and is sufficiently sharp that one can easily distinguish genuine outdoor shots in Colorado from those photographed on a soundstage with a painted backdrop. Scenes in the countryside are dominated by rich greens and earth tones; in Denver, the intense reds with which Molly decorates her home (her love of red is a running joke); and in Europe by cooler, paler shades that subtly suggest why Johnny tires of a place that doesn't match his emotional temperature. Blacks are deep and solid, and the film's grain pattern is natural and finely rendered. WAC has mastered Molly Brown at its usual high average bitrate of 35 Mbps, with a solid encode.
Molly Brown's soundtrack has been remixed to 5.1 from its original four-track magnetic
theatrical printmaster and encoded on Blu-ray in lossless DTS-HD MA. The orchestral
accompaniment is spread across the front soundstage with distinct stereo separations, and the rear
channels provide a subtle expansion of the instrumental presence. Dialogue and song lyrics are
clearly rendered. Dynamic range is broad, with a high end that is smooth and pleasing to the ear.
Several uncredited composers, including Alexander Courage, supplied incidental underscoring to
complement Willson's songs.
Note that WAC's presentation includes the "Overture" and "Exit Music" that extend the film's
running time by several minutes.
Warner first released The Unsinkable Molly Brown on DVD in 2000, and WAC reissued the disc
in 2011. The extras have been ported over from those discs. (The cover of the 2000 DVD mistakenly also listed screen tests as an extra, but no such
feature appeared on the disc.)
Released in 1964, The Unsinkable Molly Brown feels like something from a previous era. In both
style and subject matter, it's a throwback to musicals that were long on spectacle but short on
dramatic substance. Nobody did those better than MGM, and this late-blooming flower from the
Dream Machine has its devoted fans (of which I am not one, though I appreciate the craftsmanship).
WAC has brought the film to Blu-ray with the care and attention that its fans deserve, and for
them the disc is highly recommended.
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