7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Henry Jeckle was always the outsider, a bungling and awkward buffoon, relegated to waiting for his invitation to participate in life that never arrived: until he discovers a medical formula developed by a dead uncle, which claimed to turn 'a man of timid disposition into a bold, fearless dragon'. Taking a draught of the elixir Henry is transformed into suave, sophisticated and highly desirable Teddy Hyde. Armed with his new persona, Teddy is ready to face the world; but is Henry ready for the consequences?
Starring: Bernard Bresslaw, Jon Pertwee, Reginald Beckwith, Maudie Edwards, Jean Muir| Crime | Insignificant |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 0.0 | |
| Overall | 3.5 |
Doing well with their horror releases, Hammer Films stepped away from the scary stuff for 1959’s “The Ugly Duckling.” Taking inspiration (or “ideas stolen”) from Robert Louis Stevenson’s “Dr. Jekyll and Mr. Hyde,” the movie offers a comedic take on shifting identities, putting actor Bernard Bresslaw in charge of portraying a two personalities emerging from one man. While the source material is meant to deliver chills, “The Ugly Duckling” aims for laughs, ending up as more of a precursor to “The Nutty Professor,” with a gentle slide into a British gangster picture. It’s not exactly a distinctive creative detour for Hammer, but Bresslaw makes it all worthwhile, doing his part to act up a storm while the screenplay fumbles with funny business.


Trying to do right for an obscure Hammer release, Sony offers what appears to be a fresh scan of "The Ugly Duckling." The AVC encoded image (1.66:1 aspect ratio) presentation is on the sharp side, handling detail quite well, surveying textured costuming and facial surfaces, and trips to dance halls and streets are dimensional. Sets are also open for study, with distinct decoration, especially with pharmacy scenes, which contain lots of items for sale and advertisements. Delineation is comfortable, offering deep blacks for evening events, while dense costuming is protected. Source is in strong shape.

The 2.0 DTS-HD MA sound mix offers a distinct appreciation of dialogue exchanges, picking out the nuances of performances, especially with Bresslaw, who's playing two sides to one man. Musical performances and scoring needs are met, coming through with sharp instrumentation and a louder big band sound. Sound effects are clear, and atmospherics are appreciable, especially in celebratory settings.

There is no supplementary material on this disc.

"The Ugly Duckling" is a bit bottom heavy, offering a madcap climax that deals with stolen and replaced jewels during a fashion show. The broadest bits don't connect, but the spirit is there, with the production trying to maintain a sense of wackiness while it messes around with criminal endeavors. Hammer wasn't known for their silliness (at least the intentional stuff), and they don't score big with "The Ugly Duckling," which is more amusing than uproarious. The desire to shift gears is laudable, to get away from angry monsters and doom. The vision is there, but the execution has its issues. It's a viewing experience best remembered for the actors, who give the lukewarm material their all, trying to keep brightness alive with chipper performances.
(Still not reliable for this title)

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