7.2 | / 10 |
Users | 3.8 | |
Reviewer | 4.0 | |
Overall | 3.8 |
The true story of how a group of African American pilots overcame racist opposition to become one of the finest US fighter groups in World War II.
Starring: Laurence Fishburne, Andre Braugher, Cuba Gooding Jr., Courtney B. Vance, Allan PayneWar | 100% |
History | 87% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: DTS 2.0
Spanish: DTS 2.0 Mono
English SDH, French, Spanish
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 4.5 | |
Audio | 3.0 | |
Extras | 2.0 | |
Overall | 4.0 |
Three days before the release of the Lucasfilm-produced Red Tails, HBO is issuing its ground-breaking version of the same story, The Tuskegee Airmen, on Blu-ray. The HBO original film first aired on the premium cable channel almost sixteen years ago and demonstrates, yet again, how slow Hollywood can be to embrace novel subjects. With the vast canon of World War II films, it's astonishing that over half a century elapsed before someone thought to make a major motion picture about the accomplishments of the first African-American combat pilots. HBO might not have had the budget that Lucasfilm gave Red Tails or the sophisticated effects provided by Industrial Light and Magic (judging from the trailer), but they did have a story co-written by Robert W. Williams, who was a Tuskegee Airman, and they assembled a great cast anchored by Laurence Fishburne, flipping 180 degrees from his Oscar-nominated role as Ike Turner in What's Love Got to Do with It? It's a square film, even a corny one, but some stories have earned the right to be square and corny. The saga of skilled, determined men repeatedly risking (and often sacrificing) their lives for a country where many fellow citizens despised them as subhuman and wanted them grounded is just such a story.
When HBO aired The Tuskegee Airmen in 1995, all of its broadcasts were 1.33:1. However, every DVD release of the film that I've been able to identify has been framed at 1.78:1. It appears, then, that even as early as the mid-Nineties, HBO was already anticipating eventual HD broadcasts of its original movies and/or possible theatrical distribution and was having its productions framed and protected for both ratios. As with another Blu-ray of a film from this period, Gia, the 1.78:1 framing does not appear to have been derived by lopping off significant picture information at top and bottom. Occasionally a shot may appear somewhat tightly framed (I have included a few examples in the screenshots), but not so much that I would judge the viewing experience to be compromised. The 1080p, AVC-encoded image for The Tuskegee Airmen is exceptional, given the vintage and budget of the project. The source material is in very good shape, and the image is clean and fine-grained. Detail on faces, uniforms and even the fur collars of the pilots' jackets is excellent. The color palette is broad and well-delineated, but just slightly faded to convey a period feel. Black levels are generally accurate, delivering true blacks in those rare nighttime scenes when they're called for. I saw no indication of high-frequency filtering, transfer-induced ringing or compression artifacts.
HBO was not yet broadcasting in Dolby Digital when The Tuskegee Airmen first aired; DD itself was still relatively new to theaters. The original audio format was Dolby Surround, and the 5.1 mix presented on the Blu-ray in DTS lossless was probably created at a later date from the original tracks for the matrixed mix. There are a number of discrete rear channel effects involving planes and ground vehicles, though nothing like one would expect from a contemporary track produced from the ground up for 5.1 delivery. Dialogue is always clear (though that isn't much of a challenge when conveying enunciators like Andre Braugher and John Lithgow). The track's only disappointment is the orchestral score by Lee Holdridge (whose extensive credits include the cult classic The Beastmaster). The score should be grand, sweeping and stirring. Instead, it sounds thin, compressed and harsh at the high end—proof positive, for those who still need it, that lossless treatment doesn't necessarily mean better sound. The quality of the source material plays a much bigger role than the delivery format, and here the original recordings appear to be lacking in fidelity and dynamic range.
The exploits of what has come to be known as the Greatest Generation continue to fascinate viewers, as evidenced by the popularity of contemporary productions like Band of Brothers, The Pacific and Saving Private Ryan and the enduring interest in classics like Patton and The Longest Day. But while there is every reason to celebrate the Greatest Generation, it should also be remembered that, while they were fighting a war against the Axis powers, a small group of them had to wage a second war against powers at home who wanted to deny them the right to serve, citing the same spurious arguments ("shiftless", "lazy", "undisciplined", "unintelligent") that had been repeatedly refuted year after year, most recently at Tuskegee. When the war in Europe and the Pacific ended, the war on the homefront remained to be fought. The Greatest Generation entered World War II accompanied by a stain of wrongdoing that extended back to the founding of the republic (and beyond), and it does them no service to ignore either the stain or the extraordinary men who transcended it, achieving what many believed impossible to become some of the war's most decorated heroes. The film and the Blu-ray are highly recommended.
Unsere Mütter, unsere Väter
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