6.7 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A reconstruction of the trial of Joan of Arc (based entirely on the transcripts of the real-life trial), concerning Joan's imprisonment, interrogation and final execution at the hands of the English, filmed in a spare, low-key fashion.
Starring: Florence Delay, Jean-Claude FourneauDrama | 100% |
War | Insignificant |
Biography | Insignificant |
History | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.85:1
French: LPCM 2.0 (48kHz, 24-bit)
English: LPCM 2.0 (48kHz, 24-bit)
2304 kbps on both tracks
English
Blu-ray Disc
Single disc (1 BD)
Region B (locked)
Movie | 4.0 | |
Video | 5.0 | |
Audio | 4.5 | |
Extras | 3.5 | |
Overall | 4.0 |
Winner of the Special Jury Prize at the 1962 Cannes Film Festival, Robert Bresson's THE TRIAL OF JOAN OF ARC has arrived courtesy of the British Film Institute. The BD-50 comes with a recently recorded lecture on Bresson by Geoff Andrew, an exclusive audio commentary by Kat Ellinger, three short films, a photo gallery, and illustrated booklet. Region "B" locked.
Robert Bresson's sixth feature Procès de Jeanne d'Arc (The Trial of Joan of Arc, 1962) is arguably the least cluttered and minimalist film made about Saint Joan. With a runtime of a little over an hour, it's also Bresson's shortest feature. Because the format of the film is predominantly a Q&A between English prelates and Joan, perhaps Bresson didn't want to make his movie any longer since it may test the endurance of the viewer? The film opens with a statement by Isabelle Romee, Joan's mother, at her daughter's trial of rehabilitation twenty-five years after she was burned at the stake. Following the main title cards, the film flashes back to the rigged trial where Joan the Maid (then Florence Carrez; later Florence Delay) faces her grand inquisitors. Bresson has taken the dialogue directly from the trial record curated by Pierre Champion. The director focuses on some of the numerous charges brought against Joan. For example, she testifies that she heard voices in her head from at least three saints. The English interlocutors view the voices as heresies. Joan also avers that she takes her command from God, a proclamation the court denounces as blasphemous. She is a virgin who refuses to wear women's clothing in fear that she could be raped, a subplot that the film takes on. Joan is steadfast in her beliefs and unwilling to cave in to France's arch-nemesis.
In typical Bresson fashion, the French auteur's camera often fixates on the hands and feet. For instance, it dollies in the opening shot as Isabelle proceeds to make her statement. It also tracks Joan's bare feet as she walks along the cobblestones on her way outside. The camera also magnifies the large shackles around Joan's hands in the beginning. Or on the bowl of food she claims made her sick. It's definitely made in the Bressonian style that clearly distinguishes it from Dreyer's The Passion of Joan of Arc (1928), which uses far more close-ups and canted angles of framing. Bresson largely incorporates medium and medium long shots. It's interesting how he groups the onlookers behind Joan during the proceedings. Some are lensed in shallow focus while others are given a sharper focus. Bresson alternates the staging of the shots and the personnel who inhabit the frame to differentiate one day of the trial from another.
The BFI's new release of The Trial of Joan of Arc comes on an MPEG-4 AVC-encoded BD-50 (disc size: 34.45 GB). The following text appears in the BFI's booklet: "The Trial of Joan of Arc was scanned at 4K and restored by MK2 with the support of CNC. The film is presented here in its original aspect ratio of 1.66:1 with original mono audio. Technical production: Peter Stanley, Douglas Weir (BFI)." When I initially saw the technical spec on the BFI's website that the film was going to be presented in HD, I had modest expectations, not knowing that the DI was sourced from a 4K restoration. It has exceeded my expectations. Léonce-Henri Burel's cinematography looks clean and crisp. The grayscale is superb with inky blacks. There's very little wear on this print. I've included a graphical comparison between the 2005 French MK2 PAL disc (which is the same on the Artificial Eye) and the BFI transfer. You'll notice how contrast and facial detail are superior on the Blu-ray. The BFI has encoded the feature at a mean video bitrate of 37604 kbps.
Screenshot #s 1-15, 17, 19, 21, 23, & 25 = BFI 2022 BD-50
Screenshot #s 16, 18, 20, 22, & 24 = MK2 2005 DVD-9
The BFI has provided nine chapters for the 65-minute film.
The BFI has supplied a French LPCM Dual Mono (2304 kbps, 24-bit). The restored monaural track doesn't contain any bad hiss, scratches, or audible dropouts. A majority of the movie features dialogue spoken in French with some English, too. Pitch and delivery are largely consistent throughout. Bresson makes effective use of off-screen sound (e.g., "Death to the witch!") Bresson didn't unusually incorporate much music in his pictures and The Trial of Joan of Arc is no different. There are the sounds of church bells in the beginning and militaristic drumbeats that bookend the film (likely courtesy of composer Francis Seyrig).
The BFI has included optional English subtitles that appear in a relatively small to medium-sized font with white lettering. The BFI don't include any information about who did the translation. At the end of the subtitle track on my MK2 DVD, there's this notice: "Subtitles: Ian Burley; subtitling by TVS - TITRA FILM."
The BFI has included some new extras while lacking several older ones on other editions. Apparently, French-based Potemkine Films did not license the recent interviews it recorded with Florence Delay, film historian Hervé Dumont, and director Olivier Assayas on its 2019 release. In addition, MK2 and Artificial Eye released DVDs in 2005 that contained two brief archival interviews with Bresson, a fascinating re-visit Delay made to the film's original shooting location, an episode about Joan of Arc from the TV series Burning Issues of History, and a 1961 speech by French Minister of Cultural Affairs André Malraux. Subtitles on the MK2 and AE are available in English, German, Spanish, and Italian.
While The Trial of Joan of Arc covers several of the same sections of the trial that Dreyer's film does, the former is remarkably different on thematic and especially stylistic levels. While Dreyer valued architectural details in his picture about Joan of Arc, Bresson's aesthetics concentrate more on the characters in profile. While this isn't one of Bresson's very best movies, it's still a mighty fine one. I'd like to see several more Bresson films released on Blu-ray in both the UK and US. The BFI's BD-50 delivers a great transfer and a very clean lossless audio presentation. Kat Ellinger is even higher on the film than I am and her audio commentary is excellent. If you own one of the European DVDs, hold on to it as the previous supplements haven't been ported over. A STRONG RECOMMENDATION for The Trial of Joan of Arc.
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