5.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
In the distant future, the human race nears extinction and a new race of beast-like creatures rule the earth. The few surviving people live in the City, a huge protected construction with the ability to travel in both space and time. The City travels back to our time to save humanity.
Starring: Tom Burlinson, Dean Stockwell, Carrie Fisher, Tim Robertson, Jim Holt| Sci-Fi | Uncertain |
| Thriller | Uncertain |
| Romance | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 3.0 | |
| Audio | 4.0 | |
| Extras | 1.0 | |
| Overall | 3.0 |
After the success of “Star Wars” in 1977 and its sequels in the early 1980s, film producers scrambled to cash in on a trend, offering all sorts of low- budget productions meant to exploit sci-fi endeavors capable of beguiling audiences with action on a much smaller scale. Australia didn’t want to be left out of the fun, turning to the complexity of time travel for their offering of blockbuster entertainment: 1987’s “The Time Guardian.” Co- writer/director Brian Hannant (co-writer of “The Road Warrior”) makes a valiant effort to deliver something big with the picture, filling it with rampaging cyborgs, laser weapons, a massive ship, and a supporting turn from Princess Leia herself, Carrie Fisher. However, the helmer can’t quite get the feature out of first gear, fighting to make sense of the story and characterization while visibly struggling with his limited funding, trying not to make the whole thing look ridiculous. He’s not entirely successful with that mission, with “The Time Guardian” best appreciated by viewers used to the world of B-movies and their disappointing limitations.


Billed as a "Brand new HD master from a 2K scan of the interpositive," "The Time Guardian" arrives on Blu-ray with an AVC encoded image (2.39:1 aspect ratio) presentation. Detail is acceptable with some degree of softness, capturing sweaty faces and the textures of the Jen-Diki. Costuming is fibrous and exteriors are dimensional, working with the vastness of the Australian locations. Ship interiors provide a good look at low-budget set construction. Colors offer hotter reds, but primaries are intact, with ship lighting a highlight. Blue skies and orange rock is also distinct. Skintones are natural. Delineation is acceptable, but blacks are noticeably flatter, with a milkier appearance at times. Artifacting is present during the opening titles. Source is in decent condition, with a few stretches of print damage, also displaying brief scratches and speckling.

The 2.0 DTS-HD MA mix provides an appealingly wider sense of listener engagement, offering clear scoring cues with distinct electronic instrumentation. Dialogue exchanges are crisp, managing different accents and levels of performance intensity. Sound effects are acceptable, delivering exchanges of laser weapons and gunplay.


"The Time Guardian" begins and closes with battle scenes, which aim to add excitement to the viewing experience, joining additional explosions and time with earthbound weaponry (it wouldn't be the 1980s without someone firing an Uzi) as Hannant endeavors to compete with larger action films of the era before dipping back into laser weapons and city events. The scale of the effort isn't grand, but it's nice to see the production straining to make itself seem important and competent, offering some labor to pull off an expansive time travel story with what appears to be the catering budget on "Return of the Jedi." Something went wrong along the way, as the story presents knots it has no interest in untangling, and the whole concept of time travel in the tale isn't detailed with clarity, merely delivered in chunks of flashy imagery and alien technology. "The Time Guardian" tries to play the part of event cinema, but there's too much missing or simply scrambled to make that kind of impact, rendering the viewing experience unsatisfying.

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