8.6 | / 10 |
Users | 0.0 | |
Reviewer | 5.0 | |
Overall | 5.0 |
Pulp novelist Holly Martins travels to shadowy, postwar Vienna, only to find himself investigating the mysterious death of an old friend Harry Lime.
Starring: Joseph Cotten, Alida Valli, Orson Welles, Trevor Howard, Paul HörbigerFilm-Noir | 100% |
Psychological thriller | 82% |
Mystery | 42% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
French: DTS-HD Master Audio 2.0
German: DTS-HD Master Audio 2.0
French, English SDH, German
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 5.0 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 5.0 |
Carol Reed's "The Third Man" (1949) arrives on Blu-ray courtesy of StudioCanal. The supplemental features on the disc include an audio commentary with assistant director Guy Hamilton, Simon Callow and Angela Allen; interview and zither performance by Cornelia Mayer; audio interviews with Joseph Cotten and Graham Greene; interactive tour of Vienna, with commentaries by Dr. Brigitte Timmermann and tour guide Gerhard Strassgschwandtner; collection of early 1950s radio announcements; documentary feature; and a lot more. In English, French, or German, with optional English SDH, French, or German subtitles for the main feature. Region-Free.
"Where is Harry Lime?"
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Carol Reed's The Third Man arrives on Blu-ray courtesy of StudioCanal.
The release is sourced from the recent 4K restoration of the film, which StudioCanal is releasing on Blu-ray in France, the United Kingdom and Germany. I assume that the other two releases are identical to the French release because the disc's main menu can be set in French, English, or German (see screencapture #23).
The 4K restoration is excellent. Some of the improvements in terms depth and color gradation may not be immediately noticeable, but the larger your screen is, the easier it will be to see that the film now has a much better balanced appearance. Generally speaking, edges are better defined and a number of close-ups look cleaner. Contrast levels are also better balanced (compare screencapture #6 and screencapture #10 from our review of Criterion's out of print release). Some of the most obvious improvements, however, are with shadow definition, and plenty of the nighttime footage now appears a lot more nuanced (see the very dark close-up in screencapture #3). Grain is well resolved and tighter, but in some areas it could be difficult to see the difference. In fact, there are various segments where the better balanced contrast levels actually make a bigger difference (compare screencapture #13 and screencapture #4 from our review of the Criterion release and screencapture #22 and screencapture #5 from our review of the Criterion release). There is some mild unevenness before, during and after select transitions, but overall image stability is actually improved. Plenty of flicker and sporadic light warping that were present on StudioCanal's previous release are also eliminated. There are no large debris, cuts, torn frames, or damage marks. All in all, I prefer the overall better balanced appearance of StudioCanal's release and I think that at this point it is unquestionably the best one on the market. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your Blu-ray player regardless of your geographical location. For the record, there is no PAL or 1080/50i content preceding the disc's main menu).
There are three standard audio tracks on this Blu-ray release: English DTS-HD Master Audio 2.0, French DTS-HD Master Audio 2.0, and German DTS-HD Master Audio 2.0. Optional English SDH, French, and German subtitles are provided for the main feature.
The lossless clean and stable. I tested a few sequences where the music becomes prominent -- for example, the short sequence around the 01:15:35 mark -- but clarity and depth appear virtually identical to those on the lossless track from the Criterion release. There are no pops, audio dropouts, or digital distortions to report in our review.
Note: After the Blu-ray is loaded, you will be asked to choose from three interfaces. If you set the main interface in English, there will be no optional subtitles for the supplemental features listed below. If you choose the French interface, all supplemental features will have imposed French subtitles. And if you choose the German interface, all supplemental features will have imposed German subtitles.
StudioCanal's new 4K restoration of Carol Reed's classic film The Third Man is fantastic. This French Blu-ray release also has a very impressive selection of supplemental features, some of which are brand new. The release is Region-Free and should be identical to the ones StudioCanal is also releasing in the United Kingdom and Germany (you can see our listings of these releases here and here). If you do not have this film in your collections yet, now is a good time to consider picking up a copy. VERY HIGHLY RECOMMENDED. (Note: Please be aware that even though the French, German, and British releases have identical content, we have reviewed and tested only the French release and cannot confirm whether the German and British releases are also REGION-FREE).
(Still not reliable for this title)
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