6.1 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A British sea captain seeks revenge from a gang of Hong Kong drug and slave traders, know as the Red Dragon Tong, for the death of his daughter. With the help of a former slave, they incite a riot to destroy the group.
Starring: Christopher Lee, Yvonne Monlaur, Geoffrey Toone, Marne Maitland, Brian WorthForeign | 100% |
Adventure | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.85:1
English: LPCM Mono (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Single disc (1 BD)
Region B (A, C untested)
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 4.0 | |
Overall | 3.5 |
Note: This film is available as part of Hammer Volume Three: Blood & Terror.
Ask even the most casual film fan what comes to mind when they hear the name Hammer Studios (and/or Hammer Film Productions, Ltd., as it is
officially known), and my hunch is very few if any of them would answer “war movies”, since (as is probably obvious) Hammer has long been
known
for its Gothic horror output. But Hammer did make some war movies, albeit not necessarily always with the same focus that some of the
major Hollywood studios did through the years. Powerhouse Films’ Indicator series has been bringing out rather interesting aggregations of
Hammer
properties, including Hammer Volume One:
Fear Warning!, Hammer Volume
Two: Criminal Intent and the recently reviewed Hammer Volume Four: Faces of Fear (Hammer Volume Five: Death & Deceit is coming out just as this review is going live). This third volume is
an
unusual assortment of Hammer films that all feature some kind of war as at least a tangential element, with two of the films offering
plots
that are putatively connected to World War II, and two others reaching further back into the mists of history to detail other kinds of battles and/or
skirmishes.
The Terror of the Tongs is presented on Blu-ray courtesy of Powerhouse Films' Indicator imprint with an AVC encoded 1080p transfer in 1.66:1. Powerhouse's insert booklet contains only the following pretty generic verbiage about the transfer:
Sony's HD remaster was the source of this Indicator edition. The film's original mono audio was remastered at the same time.This is the only color film included in this volume of Hammer productions, and the palette looks rather nicely suffused throughout, though there are some minor density fluctuations at times. Primaries, notably that vaunted Hammer red, tend to look very vivid throughout the presentation, and some of the purples and violets in particular are extremely evocative. The high definition presentation is arguably not helpful to some of the makeup effects, particularly in some of the close-ups. Kind of hilariously, given the above mention of this film being "founded" on a pre-existing set, some of what look like matte shots or other process photography including that very set are among the shoddiest looking moments in this presentation, though some are admittedly part of opticals, like sequences involving a series of dissolves. On the whole though, this is a nicely organic looking presentation, with no compression anomalies that I noticed.
The Terror of the Tongs features an enjoyable LPCM Mono track. James Bernard once again goes the "Orientalism" route, here offering huge splashes of percussion instruments that can sound a tad bright at times. Dialogue is rendered cleanly and clearly throughout the presentation, though as is discussed in some of the supplements, some of the evidently forced edits can lead to odd segues in the soundtrack a couple of times.
The Terror of the Tongs is another kind of bizarre Hammer effort that may have seemed like a good idea at the time, or at least a prudent use of a pre-existing resource like an expensive set, but which is probably inevitably going to strike some modern day eyes as problematic in various ways. The film does offer appealing production design, and Lee is fun as a debonair but snarling villain, but the story is hokey from start to finish, and things aren't helped by some odd edits evidently forced by the censors. Technical merits are solid and the supplementary package excellent for those considering a purchase.
(Still not reliable for this title)
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