5.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
An epileptic computer programmer undergoes a surgical procedure in which electrodes are planted in his brain and a miniature computer is inserted into his chest. Rather than curing him, though, the malfunctioning electrodes render him dangerous and violent.
Starring: George Segal, Joan Hackett, Richard Dysart, Donald Moffat, Jill Clayburgh| Thriller | Uncertain |
| Sci-Fi | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region B (A, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 5.0 | |
| Overall | 4.0 |
The number of people working in various Arts and Letters who have experienced the dreaded so-called "sophomore slump" are legion, but at least in the novel writing category, Michael Crichton wasn't among them, relatively speaking, anyway. While Crichton had already written several novels pseudonymously before releasing The Andromeda Strain, the overwhelming success of that novel made his actual birth name instantly recognizable. The novel became what was at the very least a succès d'estime when it was adapted for film in a celebrated (at least in retrospect) version directed by none other than Robert Wise. That film was released in March 1971, generating decent if not outstanding box office, and when a year later Crichton returned to the bestseller lists (eschewing that aforementioned slump situation) with The Terminal Man in April of 1972 (the book had been previously serialized in Playboy, maybe just a little hilariously), it didn't take a rocket scientist (and/or brain surgeon) to figure out a film adaptation was virtually a certainty. Kind of ironically, then, the 1974 film of The Terminal Man did in fact experience a pretty drastic "sophomore slump" when compared to The Andromeda Strain as a film. At the time, The Terminal Man came and went pretty quickly, though it later quite saliently became a favorite of noted cineastes like Terence Malick and Stanley Kubrick (there is most definitely a Kubrickian air about this film, much as there is with The Andromeda Strain). This Arrow edition offers two cuts of the film and a wealth of frankly fantastic supplements that may help to give the film a new audience, which many talking heads on the bonus features aver it heartily deserves.


The Terminal Man is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet only provides some pretty generic information on the transfer:
The Terminal Man is presented in its original aspect ratio of 1.85:1 with original mono audio.Judging solely by the always risky gambit of screenshot comparison, this looks quite similar to the Shout! Factory release for Region A, but to my eyes it looks like the Arrow release is just very slightly darker with arguably better resolved (or at least slightly more apparent) grain. A number of the supplements on this disc get into the deliberate decision to offer a basically monochromatic palette (Hodges evidently wanted to shoot in black and white, which Warner Brothers put the kibosh on from the get go). That means that a lot of the film tends to play out in blacks, whites (and occasional browns), with sudden pops of red courtesy of things like flowers or, well, bloodletting. A lot of the film seems to be intentionally kind of dewy and soft, and so fine detail levels can ebb and flow.
The master was supplied by Warner Bros. Entertainment Inc.

The Terminal Man features LPCM Mono audio. It's kind of interesting to compare the sound design of this film and The Andromeda Strain, and in fact some of the supplementary material addresses some of the differences in passing, but the mono track here preserves a nice accounting of Glenn Gould's inimitable piano playing and the high tech sound effects accompanying some of the medical procedures. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Brian Orndorf felt George Segal was miscast in this role, and that's another area where we probably disagree, but I will say Segal is not particularly helped by some of the kind of unintentionally funny production design choices like the bizarre Dutch boy toupee he wears, which makes him look like a distant cousin to Dumb and Dumber. The Terminal Man is ripe for rediscovery, and it offers a chilling vision of technology out of control, as if we needed a reminder in that regard. This release from Arrow offers two cuts of the film with solid technical merits, and some outstanding supplements. Recommended.

1970

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1973

1972

1979

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1962

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1966

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Limited Edition
1971

1985

Arrow Academy
1973

Special Edition
2021

1989

Indicator Series
1994

1974

2014

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1981

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