7.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A revolution is underway, or at least there is a strong guerrilla movement here. The leader of the guerrillas manages to capture the daughter of the dictator, and then, has to take her as a captive back to the revolutionary forces' base.
Starring: Robert Hossein, Giovanna Ralli, Mario Adorf, Dany Jacquet| Foreign | Uncertain |
| Western | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
French: LPCM Mono
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
Note: This film is available on Blu-ray as part of the Wicked Games: Three Films by Robert Hossein set from Radiance Films.
As an actor, Robert Hossein is probably best remembered on this side of the pond for his supporting role in Jules Dassin's iconic
Rififi, but as a so-called "multi-hyphenate" he had a rather
interesting career as both a writer and director, including the three films Radiance has aggregated in this appealing new collection. The set includes
The Wicked Go to Hell, Hossein's debut as director and (co-)writer, which came out in 1955, the same year as Rififi. After a
1956 effort called Pardonnez nos offences, Hossein took on sole writing credit in addition to directing with 1959's Nude in a White Car
(as it's titled here, though there are multiple variant titles, including the original French Toi, le venin). Two other interstitial films,
1959's Double Agents and 1960's Les scélérats, appeared before the final film offered in this triptych, 1961's The Taste of
Violence. Two of the three films in this set, as well as some of Hossein's other efforts, are based on novels by Frédéric Dard.


The Taste of Violence is presented on Blu-ray courtesy of Radiance Films with an AVC encoded 1080p transfer in 2.35:1. Radiance's insert booklet lumps the three films together for pretty minimal information on the provenance of the transfers:
Each film in this collection was restored in 2K by Gaumont. Additional colour correction was applied to The Taste of Violence by Radiance for this release. The films were supplied to Radiance Films as digital files and are presented in the original aspect ratio.This is the sole film in this set with any prefatory text mentioning a restoration, in this case a quick text card documenting the fact that the film was "restored and digitised in 2016 by the CNC". The above mention of "colour correction" by Radiance may seem a bit strange given the fact that this is a black and white feature, but it was in fact what I assumed was a somewhat wan accounting of contrast in this presentation that caught my eye on first viewing, something that may hint at corrections that needed to be made to properly delineate gray scale. While arguably not quite at the excellent levels seen in the other two films in this set, this is still often a very impressive looking transfer, with some commendable fine detail levels on things like costumes and even the hardscrabble location backgrounds. Grain resolves without any issues.

The Taste of Violence features LPCM Mono audio in the original French. There's some distortion during the Gaumont masthead music, but once the expressive sound effects of the train and ensuing carnage begin, the track doesn't really have any other issues. Sound effects are especially well utilized throughout the film, and a "folk" score by Hossein's father André also is nicely presented (there may be just the slightest hint of breakup in some of the choral moments, as in the closing credits music). Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available. My score is 3.75.


Marina Vlady is on hand in an interview in another disc in this collection kind of ruefully joking how she and Robert co-produced the very successful Nude in a White Car, but saw no money for their efforts. On the other end of the box office spectrum, The Taste of Violence was evidently met with pretty uniform apathy when it was initially released, but it certainly seems like a film well ahead of its time in both subtext and some presentational flourishes. Technical merits are generally solid and the supplements informative and enjoyable. Recommended.
(Still not reliable for this title)

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