7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
A swordsman and a samurai work together to find a blade.
Starring: Adam Cheng, Norman Chu, Eddy Ko, Feng Tien, Hoi-Sang Lee| Foreign | Uncertain |
| Action | Uncertain |
| Thriller | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Cantonese: LPCM 2.0 Mono
English: LPCM 2.0 Mono
Mandarin: LPCM 2.0 Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 4.0 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 4.0 |
Most film fans would probably associate the term "new wave" with the memorable movement in French cinema spearheaded by such icons as Jean-Luc Godard and François Truffaut, among many others, but as some of the supplements on this disc get into, Hong Kong had its own version of Nouvelle Vague, and many of the assorted experts gathered together on this disc for both interviews and commentaries state overtly that The Sword should probably rightfully be seen as a certain kind of "landmark" in the history of that particular industry, at least within the confines of what is generally thought of as a wuxia film. As some of the supplements get into, director Patrick Tam invests the film with some interesting stylistic flourishes, but the film may be seen as a departure from "tradition" insofar as it concentrates on the inner life and motivations of a character who, as the fun commentary by Mike Leeder and Arne Venema gets into, is the very model of a modern (?) obsessive type. That focal fighter is named Lee Mak-yin (Adam Cheng), but kind of interestingly The Sword actually begins with another fighter named Fa Chin-shu (Tien Feng), who is warned that his distinctive sword may actually be cursed and that he should seriously consider getting rid of it. Yeah, like that's going to happen.


The Sword is presented on Blu-ray courtesy of Eureka! Entertainment with an AVC encoded 1080p transfer in 2.39:1. As usual, Eureka doesn't provide a ton of technical information, with their insert booklet only giving perhaps unnecessary "viewing notes" and calibration advice, though in this particular case, at least the back cover states this presentation was culled from a new 2K restoration. Things look great here a lot of the time, though there are some variances in densities, color timing (even within scenes and seemingly divorced from any stylistic intentions), clarity and grain structure. The bulk of the presentation offers a really nicely robust palette that pops extremely well in terms of the variety of tones used for costumes and sets. In the more brightly lit moments fine detail is also excellent. Things can be a bit more variant at times in some of the less fulsomely lit material, some of which can look pretty fuzzy and noticeably less detailed.

The Sword offers Cantonese, English and Mandarin options all delivered via LPCM 2.0 Mono tracks. Toggling between can reveal noticeable differences in amplitude, and I'd probably argue that overall the Mandarin track provides the most energetic rendition of a soundtrack that offers some interesting quasi-electronic "scoring" effects, along with some of the typically hyperbolic sound effects that can accompany wuxia battle scenes. All three tracks provide generally secure fidelity, though to my ears the Cantonese was a little anemic sounding at times. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


The back cover of this release states that The Sword serves as a "love letter to wuxia" from Patrick Tam (whose first feature this was, after a celebrated tenure as a very busy television director). That "love letter" may have, to quote a certain epigram often offered at American weddings at least, "something old, something new, something borrowed and something blue" (or some other deeply saturated color). There's a really captivating "combo platter" here of well worn tropes and newer approaches like an emphasis on interior lives that keeps The Sword consistently engaging. Technical merits are generally solid and the supplements include two nice commentaries and two interesting interviews. Recommended.

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