7.1 | / 10 |
Users | 4.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A woman attempts to reunite her family by breaking her husband out of prison and kidnapping their baby from his foster parents. But things don't go as planned and they are forced to take a cop hostage on the road.
Starring: Goldie Hawn, Ben Johnson, Michael Sacks, William Atherton, Gregory WalcottCrime | Insignificant |
Adventure | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: Dolby TrueHD 5.1 (48kHz, 24-bit)
Spanish: DTS 2.0 Mono
French: DTS 2.0 Mono
Czech: DTS 2.0 Mono
Italian: DTS 2.0
Japanese: DTS 2.0
English SDH, French, Italian, Japanese, Spanish, Czech, Danish, Dutch, Finnish, Norwegian, Swedish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (B, C untested)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 3.0 | |
Overall | 3.5 |
Just in time for the 50th anniversary of director Steven Spielberg's first feature film, 'The Sugarland Express' races onto 4K UHD disc courtesy of Universal. Based on true events 'The Sugarland Express' sees Lou Jean (Goldie Hawn, 'Housesitter') and her husband Clovis Poplin (William Atherton, 'Ghostbusters') as she breaks him out of jail and together they lead a bizarre chase through Texas to be reunited with their infant son. The film also features a score by John Williams and cinematography by Vilmos Zsigmond ('The Long Goodbye', 'Close Encounters of the Third Kind'), and the 4K UHD presentation has been given a new 5.1 audio mix. A slipcover, Blu-ray disc (identical to the 2014 release), and a Digital Code redeemable through Movies Anywhere are also included.
The 4K transfer on display here is not the homerun I was hoping for. Grain is uneven, more visibly present in some shots than others. Skin tones are
generally healthy, but there are times when Atherton looks too pale and Hawn appears far too tan. Colors appear nicely saturated within the
prevailing palette of the era, as automobiles and fashions reflect the realistic and authentic colors of the day, and that's a definite improvement, as at
times the Blu-ray appeared a bit washed-out to my eye. There are signs that either AI or sharpening was applied to certain scenes, but perhaps
inelegantly so, such as in the scene around the 22-minute mark where Atherton is commandeering the police vehicle. The entirety of the car itself is
rendered very precisely and crisply, as is the officer, but both Hawn and Atherton remain soft and/or slightly out of focus. The sharpness of the
vehicle also stands in stark contrast to the relative blurriness of the landscape and objects just behind it. By way of comparison, the Blu-ray
presentation sees the front of
the squad car blurrier and less well-defined in keeping with Hawn and Atherton whose blocking keeps them on either end of the vehicle, remaining
slightly out of
focus in keeping with with how the shot was composed or shot. At the 25-minute mark, Mr. and Mrs. Looby also appear to have been subtly but
noticeably sharpened as they stand stranded on the roadside and wait for assistance. Strange sharpening is also seen at the 1:27.28 mark as those
in
the crowd flock to their vehicles and traffic becomes confused and chaotic as they attempt to follow the Poplin's as they leave town. Other instances
appear as well.
No blocking, banding, or compression artifacts were detected, but haloing is occasionally noticeable. Blacks are typically deep and inky, though crush
can be
an issue. Still, reds, yellows, and blues have opportunities to pop, primarily in the colorful signage along the highways or in the towns Lou Jean
(Hawn) and Clovis Poplin(Atherton) or their pursuers speed through. Fine detail levels can be quite high with the worn and aged particulars of the
stolen police cruiser open for inspection. Detail levels seen in exterior location shots can be more variable with some reaching pinpoint precision
where
every blade of grass or pebble is discernable, and every textural element of the pavement presents with incredible tactile and visual realism. Others
display a significant softness, with environmental particulars much more imprecise. Clothing such as Clovis's flannel shirt and Lou Jean's sweater, for
instance, can yield fantastic realistic fuzziness and pilling.
Why decisions were made to modify the image beyond simply removing debris, damage, and standard color correction is unknown - though the
bold color correction of the big Texas skies to improve continuity is somewhat defensible and reasonable (as discussed below under "Supplemental
Material"). Sharpening and scrubbing grain is less so. Perhaps this is what Spielberg, who evidently had oversight over the restoration, wanted,
though the true nature of his involvement is unknown. Regardless, the end result is an uneven and, at times, distracting viewing experience. As
evidenced by the solid Blu-ray release, the source is/was in good condition
and that presentation was suitably filmic and identifiable as of its era, the occasional softness or out-of-focus shot included. The resultant transfer
here is a tale of opposites cohabitating in the same transfer: it's soft and it's sharp, it's impressively detailed and imprecise, it's grainy and it's not.
It's generally a good transfer, but the issues detailed above keep it from being a great transfer.
Please note that all included screenshots are sourced from the included 1080p disc.
Confoundingly, the previous Blu-ray's DTS-HD 2.0 Mono mix is nowhere to be found on this new 4K release which eschews the mono track in favor of a
much more modern English Dolby TrueHD 5.1 audio mix. Some will no doubt find this unacceptable and were no doubt hoping or expecting an option to
decide for themselves if they preferred to watch the restored feature in mono or with the updated 5.1 mix. Given that the film is both visually and
stylistically a product of the early 1970s, it does seem to be a bit of an occasionally odd but not necessarily jarring pairing.
Thankfully, it's at least a more subtle 5.1 Dolby TrueHD than those that accompany modern films. This track is still relatively front-heavy and the bulk of
the dialogue and action emanates from those speakers. Occasionally objects such as automobiles can effectively be tracked moving from left to right,
for example, in what feels more like an enhancement rather than an anachronism. In the early chase scene at around the 16-minute mark where Hawn
steals a car and is pursued by the officer who made the initial routine traffic stop, the sound field opens up and the surrounds are brought into play as
cars move more freely from front to back and from side to side. While it is well done and vehicles move fluidly enough, it will likely strike lovers of 60s
and 70s cinema as strange. Gunshots and car crashes present with greater depth and realism as is to be expected, but are never garish, overwhelming,
or on par with modern effects. It's just immersive enough without being ostentatious.
While the original Blu-ray release had only a shabby-looking trailer to off fans, this release has just a bit more on deck:
The next time I feel the urge to watch The Sugarland Express, I'll face a bit of a conundrum. Do I opt for the Blu-ray's less manipulated visual experience and a more authentic and appropriate audio track or the new 5.1 track? Or, do I elect the 4K's video presentation that shows sometimes off- putting signs of digital tinkering but features better color saturation, paired with a more texturally interesting, though inauthentic audio track? It's a more complicated choice than it should be. Considering the improvements to color saturation, for example, and the fact the 4K presentation does generally look good in motion all tinkering aside, I'll likely reach for the 4K disc. But, depending on my mood I might opt for a more authentic 1970s experience and go for the Blu-ray instead. Based on personal preferences, others may feel differently. Still, considering that this new release of The Sugarland Express 4K includes the original 2014 Blu-ray release and the new 4K UHD treatment, it makes for an easy purchase decision as it provides viewers with both options. Fans of the film, Spielberg, Hawn, and Atherton will certainly wish to pick up this release if the film is not already part of their collections. Concerns aside, on the strength of the film and the variety of viewing options available, The Sugarland Express comes highly recommended.
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Limited Edition to 3000
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