5.6 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
A woman goes to a back alley abortion clinic, only to have her aborted fetus attack her, her boyfriend, and everyone else at the clinic.
Starring: Frank Rivera, Marie Michaels, Gerald Preger, Lisa Petruno, Janet SoveyHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Slipcover in original pressing
Region free
Movie | 1.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
It’s amazing that 1989’s “The Suckling” isn’t a Troma film. For whatever reason, the tiny studio that lives to release garbage/cult cinema passed on or perhaps wasn’t even offered the feature for release, which seems like a distribution crime. Writer/director Francis Teri appears to have the Troma mood in mind for this endeavor, which explores the rampage of an aborted fetus infected with toxic waste, growing into a monster that sets out to kill everyone inside an abortion clinic/brothel. While I’m sure such a premise seems like bottom-shelf gold for some audiences, Teri, making his directorial debut, is way out of his depth with “The Suckling,” which looks cheap and plays dumb, trusting in the little shock value it has to keep viewers entertained. The effort never had a shot at being fun, but exciting and amusing were on the table, and Teri doesn’t bother to get the material to a place of B-movie insanity.
"The Suckling" made it far into home video circulation, eventually arriving on DVD, and there was a Blu-ray release in 2016, courtesy of, *checks twice*, "Mr. Fat-W Video." Vinegar Syndrome has elected to take the cult feature to the next level, offering a Blu-ray viewing experience that's "Newly scanned & restored in 2K from its 16mm original camera negative." It's an upgrade I doubt few expected to ever happen, and the AVC encoded image (1.85:1 aspect ratio) presentation is likely the best the no-budget movie is ever going to look. Detail digs as deep as the original cinematography permits, achieving a feel for fibrous costuming and facial surfaces. Creature effects are equally textured, showcasing the ribbed wonders of the slippery menace. Colors are alert, offering sharp primaries for interiors and clothing. Brightness of hues is appreciable, including time with pink tile and outdoor greenery. Creature hues are lively, secured with deeper reds. Delineation is satisfactory, preserving basement adventures and shadowed posing. Grain is thick but filmic. Source is in decent shape, with some speckling and a few single-frame blotches.
The 2.0 DTS-HD MA sound mix communicates all the necessary elements of "The Suckling" listening event. What's interesting about the track is the use of industrial noises to fill in silences and create tighter sonic pressure. Thankfully, such coverage doesn't interfere with dialogue exchanges, which retain their definition, save for a few brief run-ins with sibilance issues. Scoring does well, providing a slightly heavier piano-based presence, achieving mood and satisfying suspense needs. Sound effects are limited but understood, with pipe and wall Creature travel most common, along with some milder gun shots.
"The Suckling" is best appreciated as a low-fi monster movie, as Teri conjures a reasonably vivid Creature to help provide monster mayhem. The beast slides around the building, bursting through pipes and walls. Teri aims for a Sam Raimi-style viewing experience with a vicious enemy and chaotic action, but he doesn't have a sense of style. There's also a strange grimness to the picture, which gets heavier as it goes, giving in to darkness, which sucks the life out the production. "The Suckling" is quite unpleasant on many levels (random too, with a special effects test slapped on the end credits), but its greatest sin is its lack of humor. Without silliness or oddity, the material becomes depressing, and a general absence of suspense doesn't help the cause. Teri tries to rile up his audience with this trip into the extremity of a terminated pregnancy, but he doesn't have a game plan to get out of the premise, leaving viewers stuck in ugliness for far too long.
Special Edition
1982
1989
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1986
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1988
Slugs, muerte viscosa
1988
2019
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1978
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Roger Corman's Cult Classics
1980
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