5.1 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
A young couple drive cross-country toward a new beginning; unfortunately they have no choice but to stop in a secluded Airbnb in Oregon--and endure a night of terror against three masked strangers.
Starring: Gabriel Basso, Rachel Shenton, Madelaine Petsch, George Young (XIII), Richard BrakeHorror | 100% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
English SDH, French, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region A (locked)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 2.0 |
The scariest thing about this attempt to reboot 2008's The Strangers may well not be anything in the story itself, but that terrifyingly ominous Chapter 1 appended to the title. Renny Harlin, evidently on some kind of misguided attempt to reinvigorate his career (again?), is the supposed "stylist" behind a would be nascent trilogy of which this is the first part, but the fact that even the original film could be considered at least a riff on any number of other home (and/or cabin) invasion properties should indicate in and of itself that there's a certain derivative quality suffusing things. That means that any follow ups to this particular "chapter" may have to do some serious rejuggling if anything new let alone improved is added to the mix. The kind of weird thing about how rote this first "episode" is may be hinted at in some of the passing comments on supplemental material, where it seems like different takes on the material mentioned in these supplements were not really followed through on in the finished product.
Note: Screenshots are sourced from the 1080 disc included in this package.
The Strangers: Chapter 1 is presented in 4K UHD courtesy of Lionsgate Films with an HEVC / H.265 encoded 2160p transfer in 2.39:1. The
IMDb lists both Arri and Red cameras as having been utilized, though as of the writing of this review, there's no definitive data point as to the resolution
of the DI (a regular member here has set that spec to native 4K, which I'm letting stand in lieu of being able to find anything else, though as always
with my reviews, if any reader has authoritative information to the contrary, just let me know and I'll happily update things here). This is an impressive
looking presentation a lot of the time, one which takes pluses of Lionsgate's 1080 presentation and delivers at least a modicum of better shadow detail
courtesy of HDR / Dolby Vision, while also offering some really evocative and quite interesting looking highlights throughout some "color design" that
tends to feature both yellows and teals in abundance. Detail levels are generally excellent, though fine detail can slightly falter in some of the most
dimly lit material. The fine "dusting" of digital grain is probably less subliminal here given the increased resolution than it is in the 1080 presentation.
The Strangers: Chapter 1 features an expressive Dolby Atmos track that is perhaps just slightly "limited" given the claustrophobic confines of so much of the story. When the film ventures outside, as it does in its opening vignette and then recurrently throughout the tale, there is noticeable engagement of all the surround channels, including the Atmos speakers. Even in some of the cabin material, there's appealing directionality in terms of sound effects. Justin Caine Burnett's score is also nicely immersive and provides a suitably propulsive bed for some of the more anxiety producing sequences. Dialogue is rendered cleanly and clearly throughout. Optional English, French and Spanish subtitles are available.
One of the supplements included on this disc mentions how a sudden acquisition of rights to the original film gave birth to this "new" if not exactly "improved" version. Some may feel after watching this "chapter" that just having appropriate rights doesn't necessarily mean that a remake should be undertaken. There are definitely some moments of angst here, but they're enveloped in such an overarching feeling of derivation and repetition that they dissipate almost as soon as they're established. Technical merits are first rate, and while the supplements sometimes suggest a film materially different from what's actually on screen, they're also rather interesting, for anyone who may be considering making a purchase.
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