5.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A single eventful night in the lives of a crew of Los Angeles-based, trans-Pacific stewardesses, as they experiment with drugs and engage in various sexual encounters.
Starring: Christina Hart, Ronald South, William Condos, Anita de Moulin, Paula EriksonErotic | 100% |
Comedy | 5% |
Drama | Insignificant |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
Blu-ray Disc
Single disc (1 BD)
Blu-ray 3D
Region free
Movie | 1.0 | |
Video | 2.5 | |
Audio | 2.0 | |
Extras | 2.5 | |
Overall | 3.0 |
There's no pretending that The Stewardesses is some cinema classic. The only time the word "classic" could ever be applied to it is if the word "cult" comes attached at the hip and then...maybe. Writer/Director Alf Silliman Jr. fails at both of those tasks with which he is credited; the film -- loosely called a film if only because it was shot on film and can be projected upon a screen with actors and moving components appearing thereon -- constructs no narrative other than the narrative of softcore pornography. There are women and breasts aplenty, and in 3D no less, the two working in a unison of undress and dimension to titillate audiences who are perhaps too timid to seek out something a little more...direct...than this. It's a novelty movie if it's anything, and it's a novelty that turned a pretty penny in its time, reportedly the most profitable 3D movie ever made until the release of Avatar, ironically another movie without much narrative heft but, at least, more agreeable visuals and competent cinematic construction.
Yes, it's that kind of movie.
The Stewardesses source has aged poorly. The image is littered with stray scratches, pops, hairs, and speckles. This was not a full clean-up,
but
it's easy to see that, despite numerous remaining source flaws, the image has benefited from a substantial bit of work. A solid enough general filmic
quality proves agreeable enough, with intensive grain elements helping to accentuate core skin, fabric, and environmental details throughout, few of
which are super-sharp but that do benefit from the native source resolution and the 1080p format's relatively crisp and efficient delivery thereof. Colors
are pleasantly stout, with the period oranges, browns, and yellows dominating in a plane cabin early on while the stewardesses' red and white apparel
and matching red hair bows offer a pleasantly deep and vibrant color element.
Watching in 2D can fluctuate between a satisfying and a rough experience, but the image shines
more brightly in 3D, not for any add to textural stability or color saturation but for the powerful third layer added into the mix. Things begin with one of
the most dazzling 3D moments yet when legs protrude from the screen, appearing to be in such close proximity to the viewer that the desire to reach
out and grab them is almost too intense to ignore. There are numerous moments when objects appear to extend well beyond the screen's confines. A
skull literally floats in front at the 52-minute mark, followed by a crutch extending moments later. Some of the other fun house effects don't prove as
intensely gratifying, but nearly every time there's an obvious opportunity for screen protrusion, the transfer doesn't disappoint. Additionally, and
arguably most importantly to the film, sex scenes are enhanced with added shape to bodies, breasts that seem to bounce out of the screen, and hair
that flops around beyond the screen's limits during lovemaking sessions. General shapeliness and depth are fantastic. Environments are perfectly
defined, whether sprawling airport hallways or cramped cockpits. Objets like chairs are voluminous and even inconsequential bits dazzle, like a pressed
shirt
collar which appears well separated from the fabric around the collarbone. There were not significant crosstalk effects evident during playback. This is
another robust, highly satisfying 3D presentation; it makes even a lousy movie like this well worth watching.
The Stewardesses was restored in 2008 by "Mr. 3-D" Dan Symmes.
The Stewardesses's DTS-HD Master Audio 2.0 lossless soundtrack accomplishes all it can with the film's aged and poorly recorded sound elements. Most everything is muddled and lacking distinction beyond core essential basics, but even then a few sound effects are so unkempt that only supportive visual context clues can define them; in isolation they're little more than globs of sound, such as music and whirling rides at an amusement park. Music lacks cohesion and clarity. Dialogue is chunky but generally clear enough, though there appears to be some lip sync issues throughout; one of the most noticeably pronounced examples may be heard around the 58-minute mark.
The Stewardesses contains a trailer and a sexy and science-y short film in both 2D and 3D.
The Stewardesses is an exercise in cinema futility. The film offers no redeeming value, especially aesthetically and narratively where the film proper is concerned, but those seeking out bare breasts and lengthy lovemaking sessions (including one with a lamp) in vintage 3D will probably find this to be of at least some value. The video presentation shows warts but looks good enough all things considered, but the 3D content, the major selling point, is fantastic. Audio is only baseline effective and supplements are essentially comprised of a 2D/3D version of a half-hour short film that's more sexually explicit and more fun than anything in the full-length movie. Fans, the curiously minded, and those wishing to support both the 3D format would be wise to buy, but general audiences should probably steer clear.
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