6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
To put an end to the eternal vigil of the all-powerful guardian of the last light of the gods, an unfathomable source of inexhaustible cosmic knowledge and power, Tzod, the fierce high priestess of the great jungle swamp called Bastal, braves the elements ascending an unforgiving, snow-covered mountaintop. As her long and arduous journey finally comes to an end, Tzod encounters the ancient sentinel of the bloom and its mystical blue flame and recounts the tale of how a single spore has changed the world below: a blood-soaked, centuries-old story of corruption, greed, tyranny, and destruction against the backdrop of the never-ending quest for control, influence, and illumination. But, humankind's atrocities echo through eternity, and heroes are always those who are expendable.
Starring: Richard E. Grant, Lucy Lawless, Patton Oswalt, Joe Manganiello, Betty GabrielHorror | 100% |
Fantasy | 24% |
Animation | 7% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.5 | |
Extras | 2.5 | |
Overall | 3.5 |
Morgan Galen King's The Spine of Night is a new rotoscoped fantasy film that immediately brings to mind 1980s cult classics like Heavy Metal and Fire and Ice, not to mention more traditional era-specific fare such as Rankin/Bass' The Lord of the Rings, The Hobbit, Conan, and even He-Man. It should come as no surprise, then, that these productions were formative favorites of the director, whose lifelong dreams of producing his own rotoscoped work came to fruition with a few short films in the early 2010s. The Spine of Night is a natural extension of those seeds. While its narrative isn't all that engaging in spots and the art style is as crude as it is charming, the ridiculous level of violence on display here will certainly appeal to hardcore gore-hounds. (If that doesn't work, there's lots of nudity too.)
The Spine of Night's rotoscoped animation stays faithful to format roots, running at 12 frames per second and with a fluid style of movement that feels surreal and almost dreamlike in its appearance. (This can negatively impact some of the action which feels rather slow, like fighting underwater or, well, in a dream.) The character designs are crude but charming; not especially attractive in most cases, but they stand out against the frequently jaw-dropping backgrounds which show a much greater level of detail. The film's main weakness, however, just might be its biggest selling point: the brutal violence, which is so casually exaggerated that's almost numbing after the first 30 minutes. (In contrast, the mostly non-sexual nudity at least feels natural given the subject matter, but may scare off a few Puritans.) One thing's for sure, though: it was unusually hard to get safe-for-work screenshots this time around. Voice acting is also a little hit-or-miss: Lawless is an inspired choice and an obvious standout, but some of the supporting/background characters feel out of place and the recording quality doesn't always match their environments very well.
I've got a feeling that there's more worthwhile middle ground between this film and something that could truly propel the genre forward rather than being more of a reverent throwback. Even so, The Spine of Night is still impressive from a purely technical standpoint and those who like their fantasy fare completely unfiltered will likely be more captivated by its charms. RLJ Entertainment has gone all-out for this film's domestic home video debut, offering not only this stand-alone Blu-ray but a 4K/Blu-ray combo pack that arrives with standard Steelbook packaging.
Surprisingly, both editions are much more similar than expected. Read on for more.
Those who love animation that strongly influenced The Spine of Night will certainly appreciate this Blu-ray's 1080p transfer, as it goes a long way towards preserving the film's raw, organic atmosphere from start to finish. The rotoscope animation flows nicely and, despite the de facto flatness of its character designs, the striking contrast between it and the detailed backgrounds creates plenty of memorable images. Fine detail reaches only as far as the backgrounds will allow, although trace amounts of grain and noise manage to simulate additional textures. The end result is neither a distracting, speckled mess or a waxy, overly digital appearance and this adds to its nostalgic appeal. The Spine of Night also makes use of a rather varied palette that usually leans towards muted hues but occasionally leans heavily into more vivid territory, and this Blu-ray's saturation levels support it perfectly with no apparent bleeding... figuratively speaking, of course. This image also runs at a fairly high bit rate and, aside from a few stray moments of posterization and very light branding, actually goes toe-to-to with the 4K UHD's presentation, reviewed separately here.
UPDATE: 10/18/22: Please note that I have retroactively dropped half a point from my original video quality rating. Before the recent release of Koch Media's limited 4K Digibook edition, I was unaware that The Spine of Night's original aspect ratio was 1.85:1 and has been slightly cropped here.
Similarly, The Spine of Night's DTS-HD 5.1 Master Audio mix impresses with an overall scope and presence that suits the film's modestly epic ambitions. Sporadic battle scenes and surprise attacks impress with plenty of weight and well-placed surround activity that arrives in the form of discrete channel pans and a balanced atmosphere that typically aims for brutal, unexpected chaos. The pulsating original score, similar to the director's early short films, mixes traditional orchestral cues with electronic touches that reinforce its obvious 1980s influences. Dialogue is mostly clear, although a handful of minor supporting characters' lines occasionally sound tinny as if they were recorded in a small room; this briefly distracts but was clearly a source issue, so no harm, no foul. While a bit more refinement or a full-blown Atmos mix would have elevated this mix to even greater heights, it's still mighty impressive on its own terms.
Optional English (SDH), French, and Spanish subtitles are included during the main feature only.
This one-disc release ships in a standard keepcase with attractive cover art, a matching slipcover, and a promotional insert for Shudder. Several worthwhile bonus features are also included.
NOTE: These two short films, as well as a few other animated odds and ends including a trailer for The Spine of Night, can also be viewed on Morgan Galen King's own YouTube channel.
Morgan Galen King's The Spine of Night is a reverent visual throwback to the age of Heavy Metal, Fire and Ice, and other genre cult classics. Fans of those films will be excited to have anything that keeps the rotoscope dream alive... which is probably good, since its story doesn't really carve out much new territory for the genre. But while there's room for narrative improvement, The Spine of Night is absolutely electric at times even if the sky-high level of blood and guts sometimes works against it. RLJ Entertainment's Blu-ray holds up very well against the 4K edition in every department and, providing you're not planning to upgrade your TV and/or hate Steelbooks, should be good enough.
(Still not reliable for this title)
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