6.9 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor.
Starring: Zachary Scott, Betty Field, J. Carrol Naish, Beulah Bondi, Percy KilbrideDrama | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.35:1
Original aspect ratio: 1.33:1
English: LPCM 2.0
None
50GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 3.0 |
While 1945’s “The Southerner” isn’t a documentary, it does get a few details of the American Dream exactly right, creating an unnerving realism that’s softened somewhat by the picture’s literary approach to storytelling (adapted from the novel by George Sessions Parry). It’s directed by Jean Renoir, who offers an impressive amount of sympathy for his lead characters, striving to identify the malleability of the human spirit as it’s hit from all sides by tragedy and defeat. “The Southerner” isn’t quite the funeral dirge it promises to be, supporting a mood of perseverance that inspires as much as it horrifies.
The AVC encoded image (1.35:1 aspect ratio) presentation is sourced from 35mm elements preserved by the UCLA Film & Television Archive. The public domain title looks nicely refreshed for its HD debut, boasting impressive detail for its age, with farmland particulars open for inspection, while thespian faces remain expressive and appropriately weathered. Cinematographic limitations remain, but textures are available. Delineation is crisp and welcoming, preserving low light encounters. Source has its issues, with judder, warping, and speckling throughout, along with patches of damage and scratches. However, these are minor events in a bright viewing experience.
The 2.0 LPCM mix delivers the basics of "The Southerner," concentrating on dialogue exchanges, which handle comfortably, managing a consistent dramatic range with a few surges in emotion. Scoring is big and defined to satisfaction, keeping up with period standards and emphasis without steamrolling over the performances. Hiss is detected, but not pronounced.
Marching forward with spirited exchanges and reasonable discouragement, "The Southerner" doesn't get aggressive with its emphasis, with Renoir balancing the needs of cinema with character vulnerability. He makes the effort feel lived-in, with a resolution that's respectful to the issues at hand, while maintaining a direction of resilience that certainly reflects the era and builds a level of hope audiences crave.
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