6.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
US-born expatriate filmmaker Eugène Green exists in his own special artistic orbit. His latest movie, The Son of Joseph, is perhaps his most buoyant. A nativity story reboot that gently skewers French cultural pretensions, it features newcomer Victor Ezenfis as a discontented Parisian teenager in search of a father with Mathieu Amalric and Fabrizio Rongione as his, respectively, callous and gentle alternative paternal options, and Natacha Régnier as his single mother.
Starring: Natacha Regnier, Fabrizio Rongione, Mathieu Amalric, Maria de Medeiros, Victor Ezenfis| Foreign | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
French: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (C untested)
| Movie | 4.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 3.0 | |
| Overall | 4.5 |
The director of “La Sapienza,” Eugene Green creates highly specific films for certain, more adventurous audiences. He’s cheeky but dry, taking on the enormity of emotion through stillness, keeping his framing tight and symmetrical, while performances are deceptively robotic, retaining distance as a way to articulate urgency. Green is an eccentric, but he’s capable of constructing motivations and escalations, with his latest, “The Son of Joseph,” pulling inspiration from art and biblical studies to inspire a tale of paternity.


The AVC encoded image (1.85:1 aspect ratio) presentation delivers a sharp, clean viewing experience that supports the filmmaking precision Green employs. Since "The Son of Joseph" is primarily made up of close-ups, detail is especially welcoming, identifying facial particulars and costuming textures. Urban encounters also retain depth and clarity. Colors are precise, bringing out bold primaries and natural skintones. Greenery is lush and inviting. Delineation is accurate. Source is clean.

The 5.1 DTS-HD MA sound mix remains exact to support the visual presentation, leading with dialogue exchanges that are clear and true, capturing emotional subtleties and performance nuance. Music is sharp, with terrific instrumentation, and a performance inside a church replicates room acoustics precisely. Atmospherics are lively, with outdoor excursions using surrounds to detail wildlife and waves.


Green keeps "The Son of Joseph" playful but reserved, teasing broader comedic entanglements that almost break out. Power is found in the performances, with the actors doing an amazing job remaining inside Green's boundaries, playing deadpan but with spirit, keeping emotions stoked without slipping into sentimentality. "The Son of Joseph" is superbly shot (by Raphael O'Byrne) and managed, but it requires submission to Green's particular sense of timing and intimacy, with his formalist approach an acquired taste, but well worth a sampling for the curious.
(Still not reliable for this title)

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