6.8 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
In the late 1990s, up-and-coming mixed martial artist Mark Kerr aspires to become the greatest fighter in the world. However, he must also battle his opioid dependence and a volatile relationship with his girlfriend Dawn.
Starring: Dwayne Johnson, Emily Blunt, Ryan Bader, Bas Rutten, Andre Tricoteux| Biography | Uncertain |
| Drama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
4K Ultra HD
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 3.0 | |
| Overall | 3.0 |
The Smashing Machine joins a rather interesting aggregation of feature films which had their geneses in documentaries, but in this case The Smashing Machine: The Life and Times of Mark Kerr may be the preferable way to get to know the focal individual, despite the "version"'s commanding performance by Dwayne Johnson as Kerr. But even a good "fake" probably can't really compare to "the real thing", and that may be where this dramatized if not outright fictionalized version of Kerr's life may end up not connecting as strongly as the "true life" version, which came out in 2002. This is the sort of star vehicle designed seemingly for one major purpose: to reinvent an actor for the public and (probably just as saliently) to get that actor some award(s) recognition. In that particular, um, arena, both Johnson and co-star Emily Blunt recently received Golden Globe nominations for their work in the film, and I suspect that at least Johnson will get an Academy Award nomination when those are announced in a week or so (as this review is being written), but I also suspect that much as with the Golden Globes, no actual statuettes will be given to Johnson (and/or Blunt). As excellent as both of the stars inarguably are, the film itself tends to stagger a bit somewhat like a UFC combatant who may have taken a few too many sharp jabs to the head.


Note: While this is a standalone 4K release without a 1080 disc, I am offering screenshots from A24's standalone 1080 release of
The Smashing Machine as I think it actually
provides a better representation of the look of the palette in particular, rather than offering screenshots from the 4K disc which are by necessity
downscaled to 1080 and in SDR. Because this release does not include a 1080 disc, the 2K video score above has been intentionally left blank.
The Smashing Machine is presented in 4K UHD courtesy of A24 with an HEVC / H.265 encoded 2160p transfer (mostly) in 1.78:1. (Some
bookending material, an opening that is supposedly a kind of quasi-VHS quality proto YouTube video, and the aforementioned coda featuring the real
Kerr are closer to Academy Ratio). Aside from some really interesting information imparted by Safdie himself in his commentary track, those
interested
may want to read any number of online articles and/or interviews about the intricate post production workflow of the film, including
here,
here and
here for even more context. The upshot is that the so-called
"25mm" look of the bulk of the film is kind of unavoidably sui generis and one that owes a substantial part of its appearance to tweaks to
the
source footage. What that means in terms of image quality in this 4K version is arguably a less subliminal presentation of some unusual variances in
grain structure, something that becomes more apparent at this resolution and with the blandishments of HDR / Dolby Vision than in the 1080
version.
Just watching the grain against brighter backgrounds in particular can reveal little quirks like quasi-chroma effects that accrue only around certain
parts
of the grain field (some of these effects were no doubt intentional, as described in some of the above linked articles). The 16mm source, which might
be jokingly referred to as having been both degrained and regrained (again as per information imparted above and in the commentary), can't help
but
tamp down fine detail levels at times, at least in midrange and wider framings, but things are generally quite well detailed, at least in more stationary
moments away from the fighting rings. The Dolby Vision / HDR grades add a good deal of (sorry again) punch to the proceedings, and blues in
particular resonate incredibly strongly in this version. Some of the almost orange to peach to sepia tones in the latter part of the film in particular
also
have lustrous highlights in this version. The coda featuring the real Kerr is a more traditional high definition capture which suddenly offers
noticeably
improved clarity and detail levels, albeit in a narrower aspect ratio.

The Smashing Machine features a Dolby Atmos track that definitely lives up to the film's title's adjective. While the fight scenes of course offer superb immersion with almost gigantic wave like reactions from the crowd interspersed with discretely channelized cracks, pops and smacks from the actual battles, the soundtrack also benefits from a glut of source cues which are used both diegetically and as quasi-underscore, all of which add to surround activity very enjoyable. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.

Note: This review copy came from A24's own website, but I'm assuming the now widely available release is the same.
- Bob's Burgers (HD; 2:38)
- Buddhist Temple (HD; 4:00)

As a star turn, or pair of star turns, The Smashing Machine wins that particular bout in a veritable knockout. As an actual film, especially when compared to its progenitor, it may at least intermittently be down for the count. Technical merits are first rate and the supplements very enjoyable, for anyone who may be considering making a purchase.