7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
As the Germans drop explosive booby-traps on 1943 England, the embittered expert who'll have to disarm them fights a private battle with alcohol.
Starring: David Farrar, Kathleen Byron, Jack Hawkins (I), Leslie Banks, Michael GoughDrama | 100% |
Romance | 34% |
War | 17% |
Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region B (locked)
Movie | 3.5 | |
Video | 5.0 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.0 |
Michael Powell and Emeric Pressburger's "The Small Back Room" (1949) arrives on Blu-ray courtesy of StudioCanal. The supplemental features on the release include new program with Kevin Macdonald, film director and grandson of Emerich Pressburger' new program with critic Ian Christie; archival program with cinematographer Christoper Challis; restoration program; and more. In English, with optional English SDH subtitles for the main feature. Region-B "locked".
Presented in its original aspect ratio of 1.37:1, encoded with MPEG-4 AVC and granted a 1080p transfer, The Small Back Room arrives on Blu-ray courtesy of StudioCanal.
The release introduces an exclusive new 4K restoration of The Small Back Room that was finalized at Cineric in New York. The 4K restoration is a genuine stunner. I was so impressed with the quality of the visuals my system displayed, I must write that it rivals what I typically see from native 4K content. Delineation, clarity, sharpness, and depth were terrific even in all areas, regardless of whether they were properly lit or not. The fluidity of the visuals was exceptional as well, so all movement looks very natural and very, very smooth. There are no traces of problematic digital corrections. Grain is wonderfully exposed and boasting a very stable appearance. Image stability is excellent. The grayscale is outstanding. As our screencaptures demonstrate, all blacks are healthy and rich, while the grays and whites are wonderfully balanced. The entire film looks immaculate as well. (Note: This is a Region-B "locked" Blu-ray release. Therefore, you must have a native Region-B or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English LPCM 2.0. Optional English SDH subtitles are provided for the main feature.
It is immediately obvious that the audio has been fully restored. All exchanges are clear, sharp, and stable. I did not notice any distracting age-related imperfections, or similar anomalies caused by restoration work. Dynamic intensity is modest, but this is obviously something that should be expected from a film that was completed in the 1940s.
A lover of classic cinema will find it impossible not to compare The Small Back Room and The Lost Weekend because they come from the same decade and see the damage alcoholism causes with identical clarity. Both have impressive male leads, too. But the latter remains focused on its lead and misery, and goes a lot farther, which is why it is a much more powerful film. Despite some structural issues, the former is a fine film, very much worth seeing, but I do not think it is right to tout it as one of Michael Powell and Emerich Pressburger's best. This new Blu-ray release introduces an exclusive recent 4K restoration of The Small Back Room that is enormously impressive, plus a nice selection of bonus features. If you decide to pick it up for your library, please keep in mind that it is Region-B "locked". RECOMMENDED.
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