7.4 | / 10 |
Users | 3.5 | |
Reviewer | 4.0 | |
Overall | 3.5 |
A young, ambitious mobster plans an elaborate diamond heist while seducing the daughter of a ruthless mob patriarch as a determined police commissioner closes in on all of them.
Starring: Jean Gabin, Alain Delon, Lino Ventura, Irina Demick, Sydney ChaplinForeign | 100% |
Drama | 30% |
Crime | 6% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.35:1
French: DTS-HD Master Audio 2.0
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Two-disc set (2 BDs)
Region A (C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
At the time of its release, “The Sicilian Clan” was a fairly big deal. The 1969 endeavor is not only a crime thriller looking to bring an action cinema aesthetic to a subgenre normally reserved for heated conversations, but it features top-tier European talent, inviting Alain Delon, Jean Gabin, and Lino Ventura to star in this epic saga of mafia antagonism. “The Sicilian Clan” has all the thespian power it needs, but it’s the story that tends to wear down the viewing experience, with director Henri Verneuil out to make something sophisticated and smashmouth, but has difficulty juggling the plethora of names and faces the screenplay introduces.
The AVC encoded image (2.35:1 aspect ratio) presentation for the U.S. Cut of "The Sicilian Clan" is billed as a "4K restoration," and it looks like some effort was put into its HD upgrade, offering pleasant detail to help explore the varied faces on display, picking up on aging nuances, style choices, and make-up application. Costumes also retain fibrous qualities, and locations maintain dimension. Colors are appealing, with bold period primaries to support the era's interest in fashion. Greenery is alive and signage is flavorful. Skintones are accurate. Delineation is adequate, offering slightly milkier blacks on occasion. Source avoids major evidence of damage. Artifacting is also present, with a few noisy pockets and periodic reveals of posturization. The French Cut is a "2K Restoration."
The 2.0 DTS-HD MA sound mix isn't rousing, but it handles the essentials of "The Sicilian Job" without distraction. Dialogue exchanges are appealing, with the U.S. Cut dubbed thickly but effectively, keeping the effort's constant exposition clear enough to hear. Scoring is supportive and alive, with pleasing instrumentation and placement, goosing moods when called on to do so. Sound effects are thick but passable, maintaining acts of violence, while atmospherics are limited but present, showing most life with crowd scenes.
U.S. Cut
"The Sicilian Clan" has some terrific action set pieces, highlighting a wonderful bruiser quality to Verneuil's direction, encouraging his cast to jump through windows, dodge bullets, and squeeze under trucks. It can be an exciting picture when it wants to be, and more extensive scheming involving an airplane hijacking for the climax is suspenseful. Extra firepower is provided by the ensemble, who are aces in their respective roles, treating everything with complete authority. However, at two hours, "The Sicilian Clan" doesn't snowball, it starts and stops, losing momentum to expositional needs and an overpopulation problem, which suits the family theme of the effort, but does little to amplify its impact.
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